Some viewers might complain of an overdose of blood and gore, although I did enjoy the stylized gun-battle between a machine-gun wielding Ranbir and Khambatta’s henchmen. The ending feels clumsy and needlessly violent, with Kashyap trying to tie loose ends with a bare postscript before the final credits roll.

Having said that, Anurag Kashyap does manage to make a movie that is up there with Hollywood standards. In its two-hours-thirty-minutes runtime, it manages more than a handful of memorable moments. The romantic formula might’ve let it down, but the real story of this film is how well it’s conceived and presented. A certified visual delight.

Despite the build-up and grandeur, Kashyap’s ‘Bombay Velvet’ falls short of being his masterpiece.

Ranbir, Anushka’s sizzling chemisty can’t save boring second half…However, make of it what you will, but for all its weaknesses, what Bombay Velvet lacks in complexity, it ultimately makes up for with its sheer beauty.

Mean, macho Ranbir Kapoor may bore you to death…

Ultimately, Bombay Velvet is a thoroughly disappointing and frustrating film. There are some powerful ideas that have been lain to waste here, like the journalistic rivalry between Khambatta and Mistry, the subtle insertion and acceptance of a certain kind of criminal into ‘polite’ society, and the impact of violence on a person’s worldview. This should have been a film that seduced us with its beauty and then savaged us cruelly. Instead, we’re victims of a lavish boredom. By the time the last bullet is fired, all you can feel is relief that Bombay Velvet is over.

…tries too hard to be a Taj Mahal. Ultimately, though, it just ends up feeling like monumental vanity.

… is a colossal waste of money and resources. It is devoid of entertainment value and will, therefore, fail miserably at the box office. There is nothing velvet-like about it. Rather, it is as coarse as unprocessed jute.

Bombay Velvet boasts of intense action and an alluring pair of leads, but a lack of novelty in the plot makes it a flawed ride.

Bombay Velvet is frustrating and exhilarating in equal measure. Though his ambition is plain to see, I prefer the Kashyap who delivers the shock of the new rather than the glamour of old.

midst all the attention on detailing of the costumes and computer generated imagery, the screenplay loses direction. While the motivations of two rival newspaper barons are clear their actions get just short of ridiculous in the second half. From blackmail to look alikes, the film threatens to become a potboiler of the ’70s. Ultimately, the writing affects the performances as well. Balraj’s return to the boxing ring after each turmoil in his life is gimmicky.

In one of the most spectacular-looking Hindi films in recent times, Kashyap transports us effortlessly to a different age and time.
Despite pacing issues, the tendency to overstate the obvious and an inconsequential Tommy gun shootout, the film stands true to an indie filmmaker’s idea of a blockbuster. The film is every cinematic cliché and so much more. It is every crime movie you have already seen but so much more.

Depsite these few flaws, Bombay Velvet can be watched for Ranbir-Anushka’s sizzling chemistry amidst drastically transforming Bombay into Mumbai. Also be ready for Karan Johar’s surprise act.