Clayface

Clayface falls short of its potential in places, but the story, the lead performance, and its willingness to take a different approach make it one of the more satisfying entries in the DCU so far. It has its share of problems, particularly in its visual effects and occasional contrivances, but the central character and the performances give it enough substance to rise above those shortcomings.

If you can stomach graphic body horror that will leave you squirming in your seat and peeking through your fingers, Clayface promises an exhilarating cinematic experience steeped in tragedy, torment, and pain. Clayface stands out as one of DC's most promising cinematic outings since Todd Phillips' Joker (2019). In a sea of formulaic superhero and supervillain narratives, Clayface goes back to basics, focusing on a man's tragic downfall rather than simply channelling his rage into mindless destruction.

CLAYFACE is a gripping and disturbing superhero horror film that works due to James Watkins' impressive direction, Tom Rhys Harries' nuanced performance and an emotionally engaging character arc.

There are enough queasy thrills in Clayface to keep horror fans happy. It's gross. It's gory. But it is also a whole lot of fun.

While the plot feels clichéd and much of the first half is skippable, it is a deeply uncomfortable watch. Does Clayface meet the benchmark? Not really.