This is pure brazen and sometimes surreal sexual onslaught meant to satisfy those who enjoy sarcasm and sex in equal measure. For those who’ll enjoy this blitzkrieg of madness, this is the film that you watch on every Sunday, every holiday, after every satisfying sex encounter and on boring afternoons. You watch it once and you’ll be begging to watch it again.

Deadpool is entertaining as hell, erases bad memories of Reynold’s Green Lantern (2011), and will be a great time at the movies, especially for fanboys. But it’s been two days since I saw the movie and not much has stayed with me. I suppose that’s the point, in which case, I’m okay not getting it.

Deadpool is Fox’s Guardians of the Galaxy, and it’s opened a whole new gateway for the superhero genre. Whether you have a date or not, make sure you celebrate Valentine’s Day at the multiplex playing this movie. It’s a love story after all, with lubricated strap ons.

It features gratuitous crotch shots, crass humor and a whole lot of gore. If you’re looking for a conventional superhero movie, Deadpool might not be the right choice. But if you’re looking for something different but equally entertaining, don’t miss this one.

Deadpool is subversive. It is also very keen to be seen as subversive. There’s more cussing, violence and nudity here than in any previous comic book movie, but what registers even more is the film’s constant vigilance against even the smallest of superhero tropes. As soon as a cliché raises its head, the film jumps on it, hitting it back with a wisecrack or a filthy joke or someone’s head exploding. It is fascinating to see this sort of undercutting going on, like someone repeatedly sawing off the branch they’re sitting on.

Director Tim Miller and screenwriters Rhett Reese and Paul Wernick turn the superhero formula sideways. Deadpool advocates murder and revenge. When guns fire, brains splatter. This is no cutesy, do-gooder superhero for kids. Deadpool is the antihero and he loves it.