The beauty is that underneath the swagger, Akshay also locates the loneliness and heartache of a monster hobbled by love. Honestly, I can’t remember the last time I enjoyed watching him this much.

In OUATIMD, a love triangle forms the bloodline of the story, replete with ‘donnisms’, molls with maal and an overkill of ‘loaded’ dialogues pe dialogues.

The novel thing about the screenplay is that neither Shoaib nor Aslam are ready to sacrifice their love for each other. The film steers clear of the romantic clichés of self-sacrifice.

Although a big star cast film yet it is likely to come out as an ordinary story with a tight script.