Dhulia gets it right all the time. But the transformation is too quick to be believable, my only problem with Paan Singh Tomar. Forgivable when pitted against the film as a whole. The length could have been worked upon too. Dialogue, as is true for most Dhulia films, is the strongest point of this one too.Gritty and power packed Paan Singh Tomar is a tribute to the unsung heroes of sports in India. Dhulia’s direction and Irrfan’s integrity will make Paan Singh Tomar among the best movies of recent times.

What’s Good: The first half; the performances. What’s Bad: The second half which is a routine revenge drama; the difficulty which the lay viewer will face while trying to understand the Bundelkhandi dialect in which the dialogues are spoken.Verdict: Paan Singh Tomar does not make too much of a mark, thanks to the dull second half.Watch or Not?: Watch it for Irrfan Khan’s performance and also for the other actors.

Directed competently by Dhulia, who’s familiar and comfortable even with the dusty terrain, ‘Paan Singh Tomar’ is made with great attention to detail, and paints an honest, realistic picture of an India few of us can claim to know. Although repetitive occasionally and a tad long, the film raises two important questions: What could possibly drive a patriotic soldier into crossing over to the dark side? And although we call them sporting heroes, do we really care about our athletes once their careers are over?

On the whole, PAAN SINGH TOMAR shatters the standard rules of this genre. Besides, the film makes you cognizant that serious cinema can be uniformly delightful, like any other enthralling entertainer. If this variety of cinema allures you then chances are that you will take pleasure in watching PAAN SINGH TOMAR. Recommended!

It is a beautiful, moving moment in the film. But the simple scene holds together because of Khan’s performance, one of the best in his long career and comparable with his heartbreaking roles in The Namesake and the HBO series In Treatment.

In director Tigmanshu Dhulia’s biopic, Paan Singh Tomar, the two worlds collide. And the result is a rather exquisite blend of drama, humour and tragedy; altogether eminently enjoyable good cinema. In a country obsessed with overpaid cricketers, a biopic on a former national champion athlete is reason enough to celebrate. But Dhulia’s film is much more. It is one of superbly crafted film that underlines the linkage of life, sports and society.