• Director Chaubey tries to get into the dynamics of the group and their equations with each other, but his and Sudip Sharma’s script is too heavy-handed. Sometimes, it is farcical and suddenly gives way to an emotional scene.

    There is a half-hearted attempt to weave in real-life bandit Phoolan Devi’s story, but that falls flat. The film’s dialogue is entirely in the Bundelkhandi dialect, which lends authenticity to the proceedings.

  • Namrata Joshi
    Namrata Joshi
    The Hindu


    Sonchiriya is a rare bird, the metaphorical redemption that everyone is seeking. Apni apni Sonchiriya, apni apni mukti. It’s ultimately a journey towards finding your own bird of salvation.