Sonchiriya claims to be about a band of outlaws in wild search of a golden bird — but that bird may just be a goose. The film skims topics of caste, gender, religion and politics, and proves to be a film about the desperation to belong to something larger than oneself, the all-consuming desire to believe in something. Even birds of prey need to pray.

Sonchiriya tries to blend Spaghetti Western style-action drama with social commentary but it isn’t entirely satisfying on either count. You might also struggle with the language – Bundelkhandi – and it will help to see it with subtitles.

Director Abhishek Chaubey (Ishqiya, Udta Punjab) glides us into the harsh lifestyle of bandits or rebels as they like to call themselves. They speak of their difficulties in as many words but can’t leave this life because they have never known anything better. It’s cruel, pointless and vengeful. Everything is personal and nothing is personal.

Anchored by terrific performances by its star-ensemble, Chaubey brings his assured directorial mind to an eerily beautiful film.

Gripping, tense and unpredictable, despite being a slow-burn western, Chaubey’s period thriller makes for a riveting watch. It manages to engage, suspect, shock and transport you to a world where people yearn for salvation over survival.

It’s unlikely that those in the cities will identify with this offering. But yes, if you’re a curious cinema fiend, Sonchiriya will entice you.