Teraa Surroor Reviews and Ratings
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The USP of Himesh starrers was their music but he’s been very patchy here. It’s unnecessarily loud and not up to his top notch standards and jars with the narration. All-in-all, Teraa Surroor is strictly for diehard Himesh fans. Let’s hope for his sake that he manages to find enough of them…
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Even the title doesn’t hold up, in relation with the film. ‘Suroor’ is Urdu for joy, and there is none to be found in this movie. Now, if only there were an Urdu word that sounded just like it and meant ‘vanity’.
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Go with zero expectations and I promise you,will surprise you. More than anything else, it’s a very good-looking film.And I don’t mean the cast where admittedly, we have some suave, dapper and just plain interesting faces lending a gravitas to the Alistair MacLean brand of thrills, you know the sort where one smart-aleck played by the one and only Himesh Reshammiya takes on the entire police force of Dublin and—guess what?—emerges a winner.
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Allow me to summon up my inner Arundhati Roy for an appropriate simile to describe Teraa Surroor: this film is as flat as Farah Karimi’s enviably slim waist, as bland as Maggi Noodles without the Tastemaker and as pointless in its existence as the human appendix.
A moment of silence please, to honour the bravery of those who made Teraa Surroor. -
Reshammiya is definitely in his best shape yes, in this film with a ripped six-pack. While the performances of the leads could have been better, the film shines with its music, something which is undoubtedly Reshammiya’s strong suit and the songs are worth a listen. The glass shattering and bullet swooshing actions scenes coupled with Raghu’s badass moves keep you hooked to your seat.
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All of Reshammiya’s films lie somewhere on the spectrum from so-bad-it’s-good to so-bad-you-want-to-gouge-your-eyes-out. Teraa Surroor has its moments of campy fun…
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No compelling cinema here, just an out and out guilty pleasure that requires a huge suspension of disbelief to go with the flow.
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Reshammiya’s fans will appreciate the corny dialogue by Natasha Ramsay, the slow-motion action sequences in which our hero sends criminals flying through conveniently located glass panes, and his newly chiseled body. Whatever the view on Reshammiya and his unrelenting attempts to be regarded as an actor, there is no doubt that he is the biggest sport in Bollywood. Perhaps no other actor tries so hard to live up to the criticism, and succeeds every time.