Outdated and cliched…The characters in Namaste England are frivolous, cardboard thin and rationality to their behaviour zilch

You will never see anything like ‘Tumbbad’ again…Co-directors Anand Gandhi and Rahi Anil Barve have dared to enter a world that on paper seems impossible to render visually. Yet, they`ve done it! 

A slow, immersive character-driven film…Ryan Gosling gives a compelling performance as he slips into the shoes of the enigmatic and dispassionate Neil A. Armstrong

An old-fashioned sweet tale of romance…Only for die-hard romantics who are suckers for a sentimental love story

By the time Venom battles another Symbiote at the film’s climax, in an incoherent cloud of computer-graphics, you wouldn’t care less what you’re watching or what the stakes are.

But definitely lookout for the sequel, it seems promising.

The camera work and editing are flawless. The first scene where the hunter is chasing the hare in a cabbage field is intelligently integrated into the narrative and that is when the brilliance of the Director and his team, hits you.

Overall, Andhadhun is a film worth your ticket price.

The loud background score and the music mesh seamlessly with the narrative. Those looking forward to Malaika Arora’s item number would be disappointed.

Overall, the film is an above average entertainer.

The film will appeal to people who love history and are well-versed with Manto’s writings. The film enables you to travel back in time as cinematographer Kartik Vyas’s lens captures and recreates the era replete with sepia tones to perfection. The atmospheric lighting further adds to the authenticity.
The mellifluous and mournful score by Zakir Hussain imparts an interesting dimension to the narrative.
Overall, Manto, rooted in history, is a treat to watch.

Overall, despite excellent production values, the film does not cut the mark of distinction.

Manmarziyaan is a love story treated with a difference and it is the performances that keep you glued to the screen.