PK is an outstanding entertainer with a strong message relevant to all human beings. It will easily prove to be one of the biggest Bollywood blockbusters, probably, the biggest also. It has all chances to emerge as the first film to cross the Rs. 300-crore mark.

Action Jackson is for the masses more than the classes. It will prove to be an average fare at the box-office in only some circuits as it will score in single-screen cinemas and with the masses more than in the multiplexes and with the gentry audience. But in the rest of the circuits, reaching the average mark will be an uphill task. Considering that it has entailed an investment of around Rs. 100 crore (to make, promote and release), recovery of the same seems an improbability in spite of fabulous recovery from the sale of satellite rights.

Sulemani Keeda is an entertaining fare in parts and is meant for a very thin section of the audience. It is different and will appeal to youngsters looking for different cinema but its commercial prospects are, of course, weak.

…an excellent film which moves the viewer. It will come in for a lot of critical acclaim but, unfortunately, its box-office results will not match its merits and the acclaim because of lack of face value and awareness among the public. The film deserves entertainment tax-exemption in every state of India.

On the whole, Zed Plus is a political satire which is well-made and which has some truly fine performances but as far as its commercial prospects are concerned, they are almost nil because the film will find appreciation among a very thin minority, referred to as the high gentry audience in a handful of big cities only.

On the whole, Zid lacks the excitement of a suspense thriller. With the songs, human anatomy exposure and the twist in the climax being its only trump cards, its chances at the box-office appear limited, given its dull start.

Rensil D’Silva’s story has noble intentions and is topical as corruption affects every single man in every walk of life today. However, the well-intentioned story is too simplistic which makes it unpalatable. Ungli lacks entertainment as well as inspirational value and will, therefore, flop miserably at the box-office.

Happy Ending is a dull fare, meant mainly for the good multiplexes in the big cities. But its fate in the ordinary multiplexes, in single-screen cinemas and in centres other than the big cities will be far from good. Overall, it will entail heavy losses to all concerned.

Rang Rasiya is too class-appealing to make any impact at the box-office. Flop.

The Shaukeens falls short of expectations as the subject had far more potential. It is not half as funny and entertaining as the story promises and it will, therefore, not be able to prove its worth at the box-office. Losing.