Dedh Ishqiya is a sexy film. Mystically poignant, grippingly lucid, dark, subtle and so invigorating-ly well performed. It’s not everyday that you stumble upon near perfect films which entertain you so enthralling-ly… Abhishek Chaubey topples the standards he set by his last film Ishqiya and delivers a more intricate and more pioneering work of outright genius.

If bad films could kill, this review would have reached out from beyond the graves to you. I haven’t had such a terrible time at the movies in a while. The horrible mishmash of ridiculous dialogues, inane script and naive acting couldn’t take this film anywhere. I am going with a 0.5/5 for the film and request you to refrain from watching it even when premiered on television.

…not expected to be a work of genius. I wasn’t hoping for another Avatar but I was definitely looking for more meat than what was served to me. Except phenomenal voice casting, the film has very little to gloat about. Don’t waste your time at the theaters on this one and wait for the TV telecast. Indian animation can easily show more wild originality than what we got here. Buck up for the next time.

Dhoom 3 was spectacular and majestic. Keeping a strong hold on the emotional prowess of its plot, the film sews in the slick action so awe strikingly. Don’t go in expecting an Aamir Khan film because it isn’t without flaws. But it gets right everything that is must for a commercial film, especially its ability to grasp on to the interest of audiences. Even cool thieves are vulnerable people and to be able to get that correct is what makes Dhoom 3 a winner. One bang up job!

Jackpot leaves you so exhausted by the end that you’ll be yawning uncontrollably. After films like this, I actually develop a soft corner for masala potboilers. Without an ounce of novelty, the film in my eyes committed the crime of wasting actors like Makarand Deshpande and Nasseruddin Shah.

An absolutely lame and ridiculous film barring Dimple Kapadia’s scorching screen presence, it makes no pretense about being utterly stupid. It is an empty film with no thrill, no excitement and mostly no fun.

…a below ordinary, at best Prabhudheva’s most modest work till date. Setting up the usual claptraps with parading dialogues, the film bludgeons you to bits. The fun moments are few and though you might find yourself guffawing in parts, in the end the film is neither cohesive nor compelling and that too without an over enthusiastic lead man that you expect from such films.

It wasn’t fun and definitely not bang for the buck.

with its grave minuses and fewer plusses is an underwhelming film much to my disbelief. The last few films of Dhulia had made me believe that he ranks amongst the top notch filmmakers of this generation. Unfortunately the man goes wrong with his favorite recipe of showcasing the ills of political nexus, as he hands out a story that barely has any moments and remains flat for most part. Saif Ali Khan and Jimmy Shergill chemistry is the only best part from the acting section. But in all its triteness, Bullett Raja is Dhulia’s most uninspired work till date.

It isn’t flawless but it is immensely watchable. The film’s positives easily topples its negatives which is why I recommend you to watch this. Kareena-Imran are one unconventionally fantastic on screen pair who make sure GTPM is a wonderful experience for you. If you thought Ayan Mukherji was Karan Johar’s true protege, Punit Malhotra has upped his rank by emerging as a competitor.

…is far from an impeccable film. Rather it is an exclusively loud film but in an era where Bollywood is becoming unusually predictable, here is a story which shows a flair of rare novelty. For Sunny Deol and Prakash Raj’s pummeling duels, I found the film satiating for its potent message. It is way better than the ranks of awfully mediocre masala film we are compelled to watch week after week. A strict not-to-missed for Sunny Deol fans who are sure to have an enjoyable time.