While the background score of the film is as uninspired as its screenplay, the many songs are generic at best.

Hawaizaada, in the end, is a flight of fancy that fails to take off.

Almost everything about Zid can be best described as botched…

The only thing Zid has going for it is the atmospheric chills it offers by way of perennially grey skies, dense foliage around the bungalow and beyond, and the sense of distant melancholy the camera lends to the scenes.

Happy Ending, at its core, is pretentious and doesn’t quite live up to expectations, save for Govinda, who lights up the screen with his mere presence and those legendary moves.

In a film that every cast member is so desperately trying to fit in, he is the only one who actually manages to convince us that he truly belongs there and he knows it.

…the story of a paranormal investigation gone wrong, both for the film and the viewer…For horror film lovers, 3 AM will evoke more chuckles than chills.

…if you love dancing and have an ear for British-Punjabi music, watch this movie solely for the extended dance-off towards the end when Dr Zeus makes an appearance too.

The Hundred-Foot Journey has a few ingredients that go into making a cracker of a dish — two acting stalwarts who light up the screen with their mere presence, several gastronomically evocative shots, and beautiful locales.

Unfortunately, it’s got the recipe all wrong.

If you’re a fan of the genre and have lamented the sorry state Hindi horror films have been in, give this one a chance.

It’s a spook-fest that might just instill hope for better things to come.

Lekar Hum Deewana Dil would have done much better for itself had it tried to find its original voice, instead of pandering to a vague idea of what sells when it comes to love stories.

Because who has ever cracked the code for that?

Saddled with glaring plot holes, caricaturish supporting cast, unintentionally funny punchlines, and Himesh Reshammiya, The Xpose is like Gunda, with better production values