Despite being intrinsically American, the film might actually appeal to a certain section of the political spectrum, even in India. However, it could have been infinitely better.

Not quite as mindlessly gory as Lone Survivor, not quite as brutal and sensitive as Fury, American Sniper is a middle ground that is as masala as a war biopic can get.

A film as strongly scripted and impeccably executed as The Theory of Everything will be remembered for longer than Stephen Hawking’s estimate of the end of time.

Big Eyes easily evokes a mix of fascination and empathy and you just can’t stop looking…Big Eyes is big on spunk and sure to be a big hit.

Taken 3 is about an old dude who still has the moves and will open a can of whoop ass on you if you come near his girls. Not so much about family as it is about the stroking of male ego.

The Woman in Black: Angel of Death 2 is scary enough to entertain but won’t play with your mind when you’re home and the lights go out.

Repetitive and a tad cheesy, Night at the Museum: Secret of the Tomb would have warned moviegoers better of its overly Christmas-y intentions were it named ‘Once Upon a Time in the Museum Dobaara!’

Main aur Mr Riight is a tad too pretentiously philosophical to be taken seriously.

…the most unspectacular in the series and it makes you thank your stars that it is the last one.

Exodus is bound to rile up believers but it will definitely bore skeptics as soon as the second half begins because although it begins with Moses rebelling, it offers very little insight.

Exodus is a good time-pass film. However, if you’ve watched The Prince of Egypt (1998), then skip this one.

The film will obviously find a loyal audience in the urban youth who, upon finding no respite in television, have turned to the internet for some Hinglish entertainment they can connect with.

Finally an unpretentious indie, Sulemani Keeda, simply put, is by the filmis, of the filmis, and for everyone.