Paloma Sharma
Top Rated Films
Paloma Sharma's Film Reviews
-
Packed with lovely visuals and a predictable plot, this film is a one-woman show that could have been a little less brooding. It could have been brilliant but it chose to stick to its seat with its safety belt tightly binding it down.
Its sad when a film fails to realise its own potential.
Maleficent is almost magnificent.
-
Over all, Heropanti is an amusing yet bland modification of the classic Dilwale Dulhaniya Le Jayengey, featuring some of the most fake Haryanvi accents this North Indian has ever heard.
The film could do with more action and less drama. The most masala-less masala movie I’ve watched in a while.
-
Mighty Raju: Rio Calling is just an animated, toned down version of Krrish 3 for children — and it’s mighty awful.
-
Million Dollar Arm may have a point when it questions the treatment of players as commodities and not humans, it overdoes the white saviour bit.
-
Yeh Hai Bakrapur fails to live up to its early promise due to lacklustre direction.
The film is also shabbily edited with abruptly cut scenes in several places.
-
Unabashedly sexist, regressive, poorly researched and lacking the punch a college romance film is supposed to pack, Purani Jeans can easily give Yaariyaan a run for its money when it comes to being the worst film in the recent history of bad films.
After watching Purani Jeans for 138 minutes, I have decided to discard my denims.
-
Brick Mansions never slows down enough to let you enjoy the brilliance of David Belle’s liquid movements and never speeds up the story to keep you from yawning.
-
Samrat & Co might be about an extraordinarily observational man’s fight against crime but as far as cinema goes, this film is a crime against the genre.
-
Revolver Rani could have been the movie of the year. It ended up as a confused film that can’t decide who, or what it wants to concentrate on instead.
-
Tarzan is one of those rare scripts that Hollywood should have faxed to Bollywood and let them do it their way because only Karan Johar could have saved this film with a decent love triangle and loads of family melodrama.