Jazbaa is a film which thrives on style and Gupta knows how to present a thriller. Aishwarya Rai and Irrfan will take you to a new territory and then keep you there for most of its 130-minute duration. Jazbaa is a good watch this weekend.

Prabhudheva’s Singh Is Bliing is a tiring, immature and half-hearted attempt at filmmaking. Devoid of story, characterisation and plots, this is torture in the name of comedy. Singh Is Bliing is absolutely unfunny.
I felt bad for the guy who asked me at the end of the film, “Why does Akshay Kumar wear folded trouser in one leg?” Poor guy. As if there’s logic to other things in the film.

The second installment of MSG–The Messenger is now running in theatres, and here’s a warning in public interest: You’ll be blown away by the supernatural powers of Gurmeet Ram Rahim Singh Ji Insaan. That is, only if you’re a die-hard fan.

Boy meets girl and together they bore us…First Hero and now Katti Batti, director Nikhil Advani has delivered two back-to-back duds in consecutive weeks. In fact, Katti Batti makes Hero appear like a good film.

Aditya Pancholi has a dialogue in the film which goes like, “Khota hai par apna hai.” This sums up the idea behind presenting Sooraj Pancholi as ‘the’ hero. Yes, I know, I said that in the beginning as well. Then who’s the real hero of this 131-minute film? Salman Khan. Why? Haven’t you heard his soulful number ‘main hoon hero’ yet?

Welcome Back is funny in parts, but that ‘Welcome’ fluidity is missing big time. There are moments but they are very limited in number. Welcome Back’s pace is its biggest asset and that may make you enjoy this 153-minute long film.

The director’s commitment to social values is clearly visible in the film and he deserves praise for his efforts. It’s his conviction that makes the audience overlook the Bollywood-ised version of Rangabati.

Actors compete with each other in bad acting. All Is Well is a rudderless film, to say the least. It’s excruciatingly painful to watch this film. I still can’t believe that Oh My God was helmed by the same director.

Karan Malhotra’s Brothers is not Warrior. It relies heavily on the formula-driven content. Having said that, Brothers still offers you some fantastic fight sequences and a matured Akshay Kumar. You can also consider it a new film rather than a Warrior remake and be happy about it.

Bangistan races through with a nice tempo, only to be brought to an abrupt halt with its highly predictable, and ‘heroic’ (read Bollywood-ised) climax. Still, it’s left with a lot of watchable and well thought-out moments. Bangistan deserves applause for its message-oriented content.