A slew of fine supporting performances by Rahul Bose, Jaideep Ahlawat and Shekhar Kapur, among others, adds weight to an already formidable film. Vishwaroop is a must watch.

David has enough sinew to offset its share of flaws. Strongly recommended.

Ram Gopal Varma is still not back to his best and The Attacks of 26/11 isn’t an unqualified triumph. But it is certainly watchable.

This is a wreck of a movie strictly for action junkies who might be looking for a feverish two-and-a-half-hour ride that is far more giddy than heady.

Sexual harassment in the workplace isn’t the kind of premise that Hindi cinema tackles every other day. In that respect, Sudhir Mishra’s Inkaar is anything but an average Mumbai film. For the most part, it steers clear of the convenient certitudes that underpin popular movie narratives.

Matru Ki Bijlee Ka Mandola is marked by an adventurous streak that is commendable: Bhardwaj pushes the goofy storytelling style all the way through to the bitter end. It is another matter that the strategy boomerangs frequently.

The drama is woven around a welter of lies, betrayal and brutality. The lead pair is trapped in a web that is as much of their own making as it is of the man who manipulates them like a master puppeteer. But rarely does this dark thriller hit home with sufficient force.

Dabangg 2 is every inch of the way the critic-proof film that it is meant to be. No matter how many holes you might spot in its uncomplicated, wafer-thin narrative edifice, Bollywood’s most bankable megastar’s onscreen deeds, at a bit of a stretch, would serve to paper over all of them.

All said and done, Khiladi 786 is not half as bad as Joker. But is that saying much?

Talaash is intelligently structured – it goes back and forth in time as the investigating officer struggles to piece together the mystery behind an unexplained fatal road mishap involving a male movie star whose speeding car veers off a sea-facing road and plunges into the water.