• Saif Ali Khan Is Rock-Solid In A Passable Film…But Rohan Mehra struggles to tide over his limitations while Radhika and Chitrangada make their presence felt

  • Badhaai Ho is a sweet little gem informed with gentle wit and infectious warmth. The slice-of-life storytelling, which is appreciably enhanced by solid performances from a wonderful cast, is marked by control and sensitivity.

  • Parineeti Chopra And Arjun Kapoor Ham Aimlessly Through Infantile Drama…

  • The overall result, despite being somewhat stodgy and purposefully solemn in parts, is a gritty, real, revelatory tale bracketed within a larger canvas that dovetails into its wide but coherent expanse a decade of US space missions and a multiplicity of narrative strands. Well served by a lead actor who allows the subject to subsume his starry personality, First Man has the craft and the class to be a befitting tribute to one of the most monumental moments in the history of space exploration.

  • Watch Andhadhun with your ears, eyes and minds open. You will come away with your senses heightened.

  • With Sanya Malhotra’s Full-Throated Performance, It’s A Cracker Of A Film…This is a cracker of a film that blends the dynamics of a rustic burlesque with a stylised cinematic sensibility

  • Nawazuddin Siddiqui Is Phenomenally Good As The Anguished Writer…Nandita Das’ film can be described as the Garam Hawa of our times

  • Shraddha Kapoor is occasionally fetching but what unfolds on the screen is precariously low on wattage.

  • Abhishek and Vicky give their roles all they have but the screenplay does not give them the bandwidth reserved for Taapsee…

  • Gali Guleiyan is obviously not a conventional entertainer. Just as well. The film stands out because of the balance it attains in depicting a man sinking steadily into incoherence and yet clinging to his humanity. If for nothing else, watch Gali Guleiyan for the joy of witnessing a lead actor in full flight getting into the skin of a completely fettered man. It’s a master class of rare resplendence.

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