The film, however, does make you laugh out loud in parts — at some points, because it is genuinely funny, but mostly in sheer exasperation at the absurdity of it all.

Imran Khan is sincere. Kangana has by now proved that she’s a brilliant actress, but here she seems to be faltering a bit as if she is desperately looking for a firm footing in terms of a convincing character. And then she shines in the last ten minutes of the film, yet again leaving us in no doubt about what she is capable of. In fact, the last ten odd minutes of the film keeps you hooked to the screen. But obviously that is not enough at all.

The best thing comes at the end. When you see Salman Khan crooning ‘Main Hoon Hero Tera’. You wish some of that easy charm had rubbed off on the film.

his movie starts going consistently downhill from the first scene itself that you start wondering if the makers and the actors themselves gave up on making any sense, even while they were in the process of making it.

You get the grandeur and the old-world charm that you expect from an Ali film, but unfortunately he seems to have lost touch with the finesse.

Arshad Warsi puts in a decent effort, but he’s saddled with a role where he’s grossly miscast as a young bridegroom on the run. Amit Sadh is sincere. There is a spark of chemistry between Hydari and Sadh, only if it wasn’t nipped in the bud by cheesy lines. Ronit Roy is brilliant; only if he had a better character sketch he could have taken this film a notch above. If only.

With a protagonist so out of sync with the time and age she lives in, dialogues (Shagufta Rafiq), which seemed to belong to some other bygone era and somehow strayed into 2015, forced intensity and a story defying logic, this film is a disappointment.

Surkhaab is perhaps one of the finest examples of those small budget films which start with a good intention of dealing with a relevant issue, but then fall into the trap of making it ‘safe’ to ensure a box office hit.

It is sad that the ‘adult comedy’ genre in Bollywood now largely seems limited to ‘concepts’ written with Sunny Leone and a few men lusting around her in mind. It seems like the perfect excuse for lazy filmmakers and script writers to jump in on the ‘Sunny’ bandwagon with the hope of making a quick buck. – See more at: http://www.mid-day.com/articles/kuch-kuch-locha-hai–movie-review/16195185#sthash.bpGLJrDU.dpuf

The only saving grace of this film is Akshay Kumar, who not only looks dishy with a beard, but does try giving a convincing performance in this not at all convincing film. But then he should have chosen better.