Tacky treatment, dialogues (Jayant Pawar and Vishwas Patil) filled with colouful language, and a story that belies its moral bankruptcy for the sake of tititllation, this film is cringe worthy experience.

Give this film a miss. Watch the original Satya again if you’re craving for a good underworld film.

…the kind of film that keeps you entertained and holding your breath because of the sheer absurdity of it all.

If you are an Akshay Kumar fan and appreciate his comic timing, watch this one. But if action is not your favourite genre, you have the full danger of coming out feeling as battered and beaten as one of those innumerable goons in the film.

If there is a sole reason to watch this film, it is Naseeruddin Shah.

More whimpering than a roar, this movie unfortunately induced yawns instead of any feeling of rebellion.

Akshay playing an unapologetically bad man sounds like a fantastic idea, only if there was better direction and a script to back it. What a waste.

Not for a moment undermining his efforts, I would like to call this as a serious case of miscasting. Farhan’s body language and diction seemed too ‘posh’ to have been brought up in the rustic conditions that Milkha Singh was. In fact, the boy who played younger Milkha was far more believable. A tad unfair comparison maybe, but Irrfan’s effortlessly believable portrayal of ‘Paan Singh Tomar’ kept coming back to me.

No one unabashedly owns up to their weaknesses and celebrates their strengths like the Deols do.This one’s not a classic by any standard, but watch it once if the mention of Dharmendra brings a warm smile to your face.

A better treatment, a more sharply edited film and this story could have been turned into a thrilling fare. But unfortunately, the movie moves at such a meandering and self-indulgent pace that after a point you stop caring if it moves forward or sideways.