Sonakshi Sinha kicks butt in the A R Murugadoss film but is limited by her role. Despite Anurag Kashyap’s deliciously bad performance, Akira falls into a sinkhole.

Tiger Shroff plays the bumbling, fumbling superhero with perfection. Had it not been for the unnecessary song and dance, this could have been a rollicking film.

This Diana Penty, Abhay Deol film is good for a few laughs but then falls victim to weak writing and never realises its full potential.

Lee, surprisingly, isn’t bad at all, and manages the emotional bits quite well, though he does flatten in bits. So does the film, but meanwhile it makes its point that East and West can sometimes be best.

Akshay Kumar-starrer borrows the core idea of Nanavati murder case and adds a layer of extra intrigue. The plan is to make a spicy plot spicier but turns it cardboard.

Hrithik Roshan can’t rescue this film. Ashutosh Gowariker makes it bigger but not better. Pooja Hegde needs a better debut. Mohenjo Daro is a plod.

This comedy will make you cry for the wasted talent of Arshad Warsi, Boman Irani and Aditi Rao Hydari. And all the missing ‘h’ in the film.

John Abraham and Varun Dhawan’s movie is designed like a fast-paced caper but lacks impact. It shines in bits and pieces but the rest is a stretch.

This was the time when Rajinikanth should have reinvented himself for his directors have long stopped bothering about plot and characterisation. For when Rajinikant is on and at it, who cares?

Shorgul is reduced to a clichéd melodrama with its bloody clashes between the sword-wielding `Musalmaans’ and `trishul-dhaari’ Hindus.