During the Pre-historic Indus Valley, in 2016 BC, the evil greed of a man is about to destroy one of the oldest cities in the ancient world, Mohenjo Daro. A young indigo farmer, Sarman, enters the city and meets Chaani, the daughter of the Priest, predicted to be the Origin of a New Society. Sarman, in his attempt to win Chaanis love, uncovers the secrets nobody was ever supposed to know - about Chaani, about Mohenjo Daro and about his own past!Wikipedia
Mohenjo Daro Reviews
Hrithik Roshan can't rescue this film. Ashutosh Gowariker makes it bigger but not better. Pooja Hegde needs a better debut. Mohenjo Daro is a plod.
The film doesn’t have much to offer.Historical accuracy be darned, Gowariker has served up a severely amateurish production with a weak script and an abundance of cliche.
Even if we ignored the factual inaccuracies- and those are plenty- the film doesn’t really give us anything new. It’s not a film based on history, it’s not a full-fledged love story, neither a political drama- it remains a half-baked story – a story that we are all very familiar with.
Watch the film if Hrithik’s physique, dancing skills and flexibility are enough to attract you but you can totally avoid it if a grandeur does not make up for the lack of substance, facts and logic.
It doesn’t help, however, that the movie is clichéd. Telling a story of 2016 BCE in the present day can be problematic if it’s not made well, and that’s Mohenjo Daro’s downfall. Watch 'Mohenjo Daro' if you’re still stuck in the ‘80s or ‘90s, or just enjoy a steaming mug of coffee in the rains instead.
Mohenjo Daro is stuck in the past and not just in terms of its substance. What the film clearly says is that both director Gowariker and Hrithik need to move on and reinvent themselves.
Mohenjo Daro should've had many more grand moments. As it is, it's less Ben Hur and more Amrapali - sans the sex appeal of Vyjanthimala's bustiers. However, its scale and imagination make it an interesting watch - as does the intriguing notion of Hrithik as India's first pratham sevak. That's epic enough.
Even though Hrithik Roshan appears in almost every frame and brings his natural screen presence to the film, he is a shadow of his normal self, bogged down by a weak script, terrible production values and a lack of vision from the man who once made some of Bollywood’s grandest movies.
Watch it if you're a Hrithik Roshan fan. The rest of Mohenjo Daro belongs to a bygone era.
Mohenjo Daro is a major failure in terms of both history and execution...
Ashutosh Gowariker does not make historical films, let's get that clear. He is great at making spectacles using historical stories as a crutch. Sadly, this time, he picked the wrong story.
...comes across as a grand historical fictional tale which appeals only in parts. The lack of engaging and relatable drama act as spoilsport in the narrative. From the Box Office perspective, competition from RUSTOM and lack of crucial narrative will act as a major hindrance.
With its story and characters crumbling under its cinematic ambition, the only thing that makes Mohenjo Daro a sweeping cinematic experience is its visuals. To see the glorious legends of the Indus Valley Civilisation comes to life is a bargain worth the price of an admission ticket. Hrithik Roshan’s charisma adds a nice bonus to the deal. But this historic saga is also peppered with a lot of mumbo jumbo filmmaking antics that steal its thunder. Mohenjo Daro is a well-made film, just not very well thought out.
After BAAHUBALI, we all asked why did Kattapa killed BAAHUBALI? It won't be a surprise if the world starts asking who survived after watching MOHENJO DARO? Watch it at your own risk.
There isn’t as much wrong with this film as the fact that you wonder what's good about it. By the end of the film, you will be spectacularly bored by this humourless spectacle. And the question in your head is less likely to be: 'What is going on?' and more likely to be, 'Why is this going on forever?'
See the film for its sincerity and passion the the dedication to recreate an era and aura long gone and irretrievable.
Audience Reviews for Mohenjo Daro
Had it stayed a history lesson, or Aashutosh Gowariker's familiar arc of a 'cinematic historian', I would have still considered Mohenjo Daro as a mildly frustrating, entirely watchable kind of a film.
But the consistencies wear out so rapidly and the performances of the able cast are so badly blended into a nothing type script that it comes into a special category close to everyone's heart, "You know, it's so bad that it's good". That only makes 'Mohenjo Daro' a must NOT watch. Please skip it, or take a capsule of disprin if you must. It's a whole barrel of frustrating romances or bad headgear.
On the eve of our Independence day, I would like to request to my fellow Indians that let us all strive to make our nation better with our rightful thoughts & actions rather than always point fingers at the Government. I would also like to take this opportunity to congratulate our Dipa Karmarkar for her brilliant performance at Rio. After a day of disappointments, her performance brought smiles to many of us & gave me the interest for some entertainment in the form of "Mohenjo Daro". So will Ashutosh Gowariker's effort strike gold at the box office???
The Indus Valley civilization was considered as the cradle of the early civilization in the Old World & Mohenjo Daro was one of its prominent settlements apart from Harappa. The film unfolds in 2016 BC where we are introduced to Sarman (Hrithik Roshan) who with his brave acts is shown to be the darling of his village. Though he led a contented life with his uncle & aunt, he had a recurring dream of a unicorn (not exactly..seemed like some other animal) as well as making a visit to the famed Mohenjo Daro. Finally after much coaxing, he is allowed to make the trip & as expected, it turned out to be life changing.
Prior to the start of the movie, there is a disclaimer which states that the makers doesnt support or dispute any interpretation of the Indus Valley civilization. Well I do accept that it is pretty difficult to vouch for the authenticity, but attention was barely given to that aspect as it was all about a typical Bollywood hero who had come as a messiah as well as for vengeance. The movie could have been named Harappa & we wouldnt have noticed any difference to be frank as Ashutosh's script was downright ordinary. C K Muraleedharan has done a decent job with the cinematography while Rahman's music was impressive though it fails to linger due to the trite screenplay. The art direction manages to catch the eye but the costumes & computer graphics were mediocre.
Coming to performances, it's been a while since we have seen Hrithik on the big screen but this role barely challenged him & he does try his best to carry the movie but is let down by the weak script. Pooja Hegde is attractive for sure, however she has a long way to go before being addressed as an actress. Kabir Bedi was an ideal choice as the evil chieftain while the rest were just about average at best.
Verdict: This film has been in the news for quite a while primarily because of the people involved i.e Hrithik & Ashutosh. If the audience is expecting an encore of "Jodha Akbar", then they are bound to be disappointed as this cuts a sorry figure in comparison. In short, it would struggle at the box-office & if you ask me, it wont hurt to give it a miss.
A typical bollywood film. Nothing new and most importantly Mahenjodaro could not brought us a real picture of the place. Weak story, very much common yet predictable. Costume designing is good rest are very poor.
Mohenjo Daro, a spectacular film by Ashutosh Gowarikar, is a fictional take. I did not view this film as the one conveying the facts about Indus Valley Civilization, Mohenjo Daro or Harappa. Throughout the film, I felt that Ashutosh is conveying a story of love, power battles, treachery keeping one of the greatest city of Indus Valley Civilization, Mohenjo Daro, as the pretext. In one of the earlier interviews, Ashutosh had mentioned that his biggest challenge was recreating an era about which very little is known. Very little information is available on how people lived, what they ate, how they felt during those times. He has weaved a love story set in this Ancient India. It may be unfair to judge this film on the basis of historical accuracy or inaccuracy, but it has to be treated as a piece of art depicting the director's imagination and school of thought.
Set in 2016 BC, the film begins with Sarman's (Hrithik Roshan) overpowering dangerous crocodile, and killing it. Sarman stays with his Kaka-Kaki (uncle-aunty played) in Amri and they are into indigo farming. He frequently dreams of Unicorn, a beast with a large pointed spiraling horn projecting from its forehead. Whenever he listens to his Kaki humming a particular song, though it sounds familiar to him, he is unable to figure out how and why. He also feels the strong urge to travel to Mohenjo Daro for business. But Kaka-Kaki are always afraid to send him there. Ultimately they pay heed to Sarman's request. Kaka permits him to go with a warning that Mohenjo Daro is full of fake people, treachery, challenges. While doing business there, he must take care of not undervaluing his brand. Kaka also gives him a coin which has the emblem of Unicorn and Sindhu Goddess. Sarman is excited to go to Mohenjo Daro, his friend also accompanies him.
Sarman gets fascinated to see Mohenjo Daro, the buildings over there. He also was astonished to see a world other than his, where he found people from different parts of the world coming there for trade, different animals like horse etc. Sarman also feels that he is able to identify with the city, he feels a sense of ownership towards it. He feels as if he knows this city. Very soon he learns that what his Kaka conveyed regarding the land about the bad elements was absolutely true. He wanted to go back, but that is when he encounters a beautiful girl Channi (Pooja Hegde), daughter of the priest (Manish Choudhary). It was instant attraction at the first sight itself. Channi is supposed to be showered with special blessings of Goddess Sindhu. Sarman decides to stay back and continue with the business there.
Mohenjo Daro is ruled by Maham (Kabir Bedi). People at Mohenjo Daro are terrified with Maham as well as his son Moonja (Arunoday Singh). Maham does not forgive people who raise their voice against him. The film does share the story of this ruler who is power hungry, gives false hopes of development of the city. His vested interests to rule the city, his greed for gold etc. are also shown.
Sarman steals opportunities to meet Channi and love blossoms between them. But yes, challenges begin for Sarman and Channi. Moonja who wants to get married to Channi, can not let Sarman connect to Channi. Sarman has to earn and win Channi’s love, for which challenges are thrown in front of him by Maham and Moonja. Maham’s wife Laashi (Suhasini Mulay) does warn both father and the son, but they don’t even give any ears to her.
How the story moves further? What is the connection of Sarman with the City Mohenjo Daro ? What is the secret of his dreams of Unicorn ? Why does the tune hummed by his Kaki seems familiar to him? What all challenges are thrown in front of Sarman by Maham and Moonja ? Does the city accept their newly emerging hero Sarman ? In History, it is written that this city of Mohenjo Daro is believed to have been destroyed by the raging Indus river flooded over. So, in this film, what fate awaits Mohenjo Daro ? Watch the film to know all these.
Hrithik Roshan as Sarman has given extremely good performance. Pooja Hegde is looking good on screen. Nitish Bhardwaj as Sarman’s Kaka has small screen time. Kabir Bedi and Arunodaya Singh as the antagonist father-son are good. Digant Hazarika as Lothar and Manish Choudhary as Priest have also give good performances. Rest of the cast are also good. Music by AR Rahman is good and fresh to ears. Choreography is kept very simple. Cinematography is awesome.
The climax scene is breathtaking.
Mohenjo Daro is visually spectacular, packed with Hrithik’s powerful performance. This love story set in the pretext of Mohenjo Daro may seem familiar, but kudos to Ashutosh Gowarikar for painting the story on a large canvas.