Somewhere in the too-complicated strands of Aurangzeb is a film struggling to cohere. This is what we have: too many subplots with threads hanging, criss-crossing a main plot that is over baked and undercooked.

Overall, ‘Aurangzeb’ is a fun thriller with a racy first half and a dragged climax. It’s not devoid of any essential ingredient of a ‘masala’ film and you can watch it for depicting the dark underbelly of the illegal land deals.

Aurangzeb had the potential to be a much better film. Alas it only comes across as a TV serial sans the melodrama!

The first half is strong, but the climax and focus on the family ties and relationship dilutes the hardcore gangster flick that it set out to be.

Aurangzeb could have been so much better, perhaps even a classic. It is Atul Sabharwal’s faulty treatment that leaves it shaky. There is immense passion and thrill in the story, which its actors remit strongly. I am going with an average 2.5/5 for the film. The thrill ends up flaccid killing all that could have been sensational! Optimistically, I expect something more stirring and less misplaced from the team sometime soon!

The classic second-half gaffe. You have a cracker of an idea, the build up is great too, and then gross lack of imagination turns everything into a mangled mess post interval.

On the whole, AURANGZEB has a great premise, but great plots don’t, generally, translate into great films. This one’s way too lengthy and mediocre [second hour] to leave any kind of an impression whatsoever. Disappointing!

‘Aurangzeb’ is an engaging saga but it is very dialogue heavy where music or humour hasn’t been used effectively to provide some respite. Arjun Kapoor and Prithiviraj Sukumaran rise above the slightly flawed execution.

Dialogues are apt and well timed in the movie. Cinematography by Kartik Ganesh is quite laudable and makes the movie really interesting. The movie does live up to its name and fame until before the climax which is totally predictable.

A better treatment, a more sharply edited film and this story could have been turned into a thrilling fare. But unfortunately, the movie moves at such a meandering and self-indulgent pace that after a point you stop caring if it moves forward or sideways.

While the ambition of Aurangzeb is to be lauded, there just isn’t enough steam to see it through till the end. And at well over two hours, that end seems very far off. Try it then, for its complexity and Kapoor and Shroff.