It’s fun without ever being preachy or pretentious. In fact, it’s just delirious, wagging its tale away like one of those stolen poms. Ha ha OK Please.

…after very gratefully handing it four and a half stars, in case you asked — that this is a movie to love. And one that makes the audience feel just like the hero: really, really lucky.

…another delectable tale about a superchor who transforms stealing into a fine art. Cineastes may have problems with the morally ambiguous tenor of the story which transforms Lucky, a lad who lives on the wild side of the law, into a lovable character.

…is a well-executed enterprise, which has its share of limitations. At the box-office, the film caters to the Northern audience mainly — Delhi and Punjab specifically. Besides North, the plexes in Mumbai should fare slightly better.

A film with a feel of the eighties, OLLO will identify well with the viewers from the North. But yes, if you want a quiet, funny outing to lighten your mood, watchining OLLO is not a bad option.

…is a sly, shimmering mirror of a dysfunctional society always craving for more… not knowing where the greed to be upwardly mobile finally ends.

This is an altogether atmospheric film; the sorts where the sum of sweetly stirred parts and details is so much superior to the whole. How often do we watch a Mumbai movie whose setting alone we can smell from our seats. It’s the cheapest ticket to experience another place. We should feel lucky to have this.

Writer-director Dipankar Banerjee cannot live down the expectations Khosla Ka Ghosla brings with it. Banerjee does meet those expectations, however Oye Lucky! is a different product altogether. More than a beginning-middle-end story, Oye Lucky! is more a peek into Delhi?s belly, into the characters? lives, and into complex bitter-sweet relationships.