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Reviewing since 2013 · Last review Jul 2016
Films
Scoring fingerprint
182 scored reviews · 0–10
Most given: 6 (40 reviews)3% of reviews not scored
In step with the room
Within a point of the Monk Score on 60% of 181 films
Closest peer
Agrees with Sonia on 91% of 26 shared films
Divergence
From the archive
Staggeringly engaging, remarkably rugged and unexpectedly romantic, Sultan is every bit the comprehensive blockbuster it promised to be. Watching the accomplished storytelling and the deft characterisations in Sultan, it is hard to believe that this work comes from the director of Mere Brother Ki Dulhan and Gunday. Quite a dizzying climb!
Full review ↗TRM 6.5+1.5
TRM 5.9+2.1
The ending could have been far better. It's a bit comical to see some of our central characters sitting out and having a nice tea picnic while something so significant is happening. Still, the film is mostly gripping, sensational and involving. Veerappan's story with his spectacular rise and fall was a big one. The film does it justice.
Full review ↗TRM 4.6+1.4
Director Tony D'Souza chooses to tell the story over different timelines, but the flitting isn't as smooth as it should have been. The film moves on from the match-fixing allegations to the case being fought in court. There is an attempt to showcase the grey shades of the central character, but the film majorly cops-out in the end.
Full review ↗TRM 5.00.0
The film's tells the story in a straightforward, simple manner. The execution is not sharp and technically impressive. The acting is superb by the veterans, but shaky by the younger crowd. Still, the film is worth a watch for the extraordinary story. A story that actually encompasses the scope of human kindness. And the fact that the film is inspired by true events makes it that much special!
Full review ↗TRM 5.5
Cinematographer Binod Pradhan swoops in to save the day, capturing Kerala in all its splendor. And then there is the martial-arts infused action. These are the only two things worthwhile in the movie.
Full review ↗TRM 4.6−1.6
For the outstanding story, interesting storytelling style, and incredibly authentic performances, this one is a must-watch!
Full review ↗TRM 7.00.0
It is to Shah Rukh Khan's credit for taking on a fairly risky subject, and allowing such self-deprecating material (he is known for his comment on performing at weddings) in the script. But this is no ordinary Shah Rukh Khan film. Here the superstar is visibly thrilled to tackle this complex role (roles, actually) and relishes them with passion. He's wonderful as the superstar who faces trouble from the most unexpected source, and is even better as the fan who is so obsessed, he cannot differentiate between right and wrong.
Full review ↗TRM 6.8+0.2
If you've seen films like the exquisite Dangerous Liaisons and the more mainstream Cruel Intentions, you'll find a striking resemblance with our film here. All these films delve in the love and lust sports played by people, often lacking love in their lives.
Full review ↗TRM 3.7−0.7
...a film can work only if the viewer is emotionally invested in the character and their journey. That's the reason Rocky Handsome doesn't work neither as an emotional drama nor an action flick. This could've been a far better film.
Full review ↗TRM 4.2−0.2
This is a film that celebrates the dysfunctional family, gamely accepting it as a part of reality, with each member uniquely glorious with all their idiosyncrasies and imperfections. The film suitably ends on a note that is symbolic of most families; at least the more interesting ones- they are all perfect in their imperfections.
Full review ↗TRM 7.2+0.8
This film is an experience. And strictly meant only for Himesh Reshammiya and fans.
Full review ↗TRM 3.5−1.5
The film is a comment on honest officials vs. ruffian politics in mofussil India, but then we've seen this so many times before. What sets the film apart is Jha's sure-footed storytelling (though he sticks to his tried-and-tested formula) and Priyanka Chopra's dazzling performance. This one straddles the two worlds of being a reasonably accomplished film as well as a crowd-pleaser.
Full review ↗TRM 4.8+2.2
Watch this film without too many expectations, and you might find yourself moved the by the characters and their Bollywood diaries.
Full review ↗TRM 5.2−0.2
Mehta's sure-footed storytelling is enhanced by the technical finesse, from the cinematography and editing, to the production design and music. Watch the film to experience a story that is as searing as it is sensitive. Most crucially, the film ensures that the absurdity of a law criminalizing homosexuality hits home harder than ever.
Full review ↗TRM 7.3−0.3
This is one of the few films where the audience was moved enough to applaud together. Highly recommended!
Full review ↗TRM 7.6+0.4
If you love Great Expectations, keep no expectations from this one. Else, be prepared to entranced by the visual splendor of the movie, and be disappointed by the lack of emotional connect.
Full review ↗TRM 5.00.0
This one is sheer torture for its regressive take on everything, save for a few bright moments when Hocane is onscreen.
Full review ↗TRM 3.5−0.5
The film is earnest and has a few genuine, emotional moments, but is defeated by an outmoded viewpoint and look. It had the potential to be so much more.
Full review ↗TRM 4.7+0.3
The film does have its share of endearing moments. One of them is a poster saying 'Harty Welcome' when Adi arrives in Chennai. One wishes the film had other such insights that made it different from the rest. Sadly, the film chooses to walk the predictable path, instead of carving its own.
Full review ↗TRM 5.4+0.6
It's an incredible story - one that makes you feel patriotic, but more importantly, reinforces your faith in humanity. And it makes you wonder - maybe there is a hero in all of us. Maybe!
Full review ↗TRM 7.0+1.0
Rohit Shetty has made far more entertaining films in the past. But they did not have Shah Rukh Khan and Kajol. This pair is something special. Watch the film for them!
Full review ↗TRM 5.1+0.9
Despite the flaws, the film is full of mad charm and is all heart. Tamasha is an incredible spectacle of a movie, to be experienced, not merely viewed.
Full review ↗TRM 6.2+1.8
Bhansali's love story doesn?t move you the way it is intended to. It's unique, but not necessarily special. That pretty much sums up the film as well.
Full review ↗TRM 5.6−0.6
The film has its faults, but with Salman Khan's dual force (yes, he plays a double role), a lilting romance, and the ODing on traditional values – this one's sure to hit the right spots with the family junta. Salman is real 'ratan' in this tradition-soaked romance, likely to bring in enough dhan for the makers!
Full review ↗TRM 5.1+0.9
The talented cast does well. But the astute performances cannot save the film that's too clever by half.
Full review ↗TRM 4.5−1.5
Perhaps morality is the privilege of a few, it seems to say. Whether you agree or not is irrelevant; what matters is whether the film talks to you and moves you. And this one does significantly!
Full review ↗TRM 7.5+1.5
This was an attempt to make an engaging crime-drama, hoping to cash in on Charles Sobhraj's larger-than-life image. But the makers have taken truly explosive material and tamed it down, choosing to glamourize the villain to a nauseating level. The film had so much more potential!
Full review ↗TRM 5.4−0.4
As a cohesive whole, the film is a merry mess. Shaandaar, then, is a peculiar film - to be enjoyed for its beautiful moments, and to be endured for its bizarre ones.
Full review ↗TRM 4.7+0.3
Far from feeling offended by the movie, you end up feeling sorry for its limited vision. If the film were actually brave, it would offer a more balanced perspective. This one is of the whiners, by the whiners and for the whiners.
Full review ↗TRM 5.2−3.2
Despite the story being highly far-fetched, the film is still arresting for its pacy storytelling, actors who perform with conviction, and a few interesting surprises in the finale. Whether it's the performances, the characters, the motive, or the storytelling-there are traces of jazbaa everywhere. Worth a watch!
Full review ↗TRM 5.6+1.4
Ultimately the film is about a bumbling village guy, making it big in the city, and scoring with a "gori mem". Watch it if songs like Choon Chan is your idea of music. Watch it if you can forgive seeing much-loved stars reduced to playing stereotypical roles. Watch it if you want Bollywood to be stuck in a pathetic time-warp!
Full review ↗TRM 4.3−1.3
Whatever the twisted point of view is, it's pretty bleak. And if you have such a pessimistic view of calendar girls, why make a film on them in the first place?
Full review ↗TRM 3.2−1.2
One wonders if we'll always be stuck with comedies, that in an attempt to be massy, end up as regressive and stuck in a time-warp.
Full review ↗TRM 4.4−0.4
This is a film you wanted to like for various reasons, primarily that there hasn't been a good Hindi film on our screens since long. And secondly for Kangna Ranaut who steals your heart with her performance, in spite of the fact that you struggle to understand her character's behavior right till the end. Ah, it's going to be some more waiting at the theatres, I guess. Watch it if you must for Ranaut's crackerjack act.
Full review ↗TRM 4.0+1.0
After watching three hours of this torturous film, a thought came to mind. It's a plea actually. To Salman Khan and all other producers who actually have the power to shape the cinema that reaches us. If you have the resources, filmmaking expertise, and an obvious passion for cinema, why not back good films that take us forward and not a hundred steps behind? Would someone be so kind as to answer this question, please?
Full review ↗TRM 3.9−0.9
The film, based on Hussain Zaidi's book Mumbai Avengers, moves you only towards the end, especially when you realize that 166 people died in the 26/11 terrorist attack, and that none of the terrorist masterminds have been punished. Which is why, this monumental tragedy needed a throbbing, emotional film that could express the collective nation's angst. It's disappointing indeed to see a film with such a passionate story, turn out this bland and lackluster!
Full review ↗TRM 5.2−2.2
It's perplexing how Umesh Shukla, who made the simple and entertaining OMG Oh My God!, could have come up with this sub-par deal. With comedy that's more likely to make you cry, all is well in the movie's finale, except the viewer's state. Avoid!
Full review ↗TRM 3.4−1.4
Despite the flaws, the film is watchable for Nawazuddin's exceptional performance and the highly inspiring story!
Full review ↗TRM 5.8+0.2
After being kicked out by his wife, the said journo finds love in a colleague (Tannistha Chatterjee) who doesn't do much except following Shorey around and discussing his angst and his work. The dour performances don't help either. Neither does the thick, gloomy air of the film. While the story is electrifying and inspiring, the film doesn't manage to do justice. Too bad, really.
Full review ↗TRM 5.5−0.5
The few gripping fights, Akshay Kumar's ace act, and a fabulous supporting cast makes the film reasonably watchable. Oscillating wildly between a sports movie and a melodrama, this is your dose of punch-drunk love!
Full review ↗TRM 4.7+1.3
Bangistan attempts to tell a well-intentioned message through humour, and in the end, both are lost on the viewer. The film, based on our novice bombers, is sadly low-impact!
Full review ↗TRM 3.9
...the film remains watchable for the story, a few suspenseful moments, and Tabu's electrifying act.
Full review ↗TRM 6.5−0.5
So you have a film comprising elements its title aptly pronounces. Savour these stories told in a distinct edgy, kitschy style. Don't miss..
Full review ↗TRM 7.3−0.3
Writer-director Dipankar Banerjee cannot live down the expectations Khosla Ka Ghosla brings with it. Banerjee does meet those expectations, however Oye Lucky! is a different product altogether. More than a beginning-middle-end story, Oye Lucky! is more a peek into Delhi?s belly, into the characters? lives, and into complex bitter-sweet relationships.
Full review ↗TRM 6.1−1.1
I Am Kalam is yet another superlative children's film this year. Go watch this hearty film that lingers with you long after.
Full review ↗TRM 6.5+0.5
Director Biswajeet Bora gives us a film that's heartfelt but marred by a sketchy, uneven execution. And the film's core can be described in these lovely words - 'Jaisa apna aashiyan, hoga waisa yeh jahaan' (The state of your home, is reflected in the state your outside world). Words to mull over. And yes, it has inspired me to rekindle my friendship with plants, with more heart and gratitude!
Full review ↗TRM 3.9+2.1
Even if it meanders aimlessly for a while, the story reaches its destination in the end. And I doubt if anyone in the audience will leave the theatre unaffected. Do watch!
Full review ↗TRM 6.6+0.4
The film falters in an inconsistent pace, adding an artificial romance that never really convinces us, and insinuating a jarring item song with dancers that look too modern. The melodramatic scenes involving the mother are also grating on the nerves. The film ends rather abruptly with a message that says …'Conclusion will happen in 2016'. So much for subtlety! But there are relatively small faults in a film that overwhelms and entertains through its sheer love for scale and visual wizardry. For the splendid visual feast it offers, and the solid performances, this one comes recommended!
Full review ↗TRM 7.2−1.2
The film might have seemed an interesting, ambitious, black-humoured take on crime in the menacing hinterlands. But what we get is a watered-down version of the above. If you must watch it, look out for the few interesting moments, within the largely insipid, colourless film.
Full review ↗TRM 5.1−0.1
But most importantly, the film's finale is utterly unconvincing, objectionable in its insinuation that being a being a woman is a punishment, and jarring, in that order. In that sense, the film talks about women's rights while including these sexist elements, and gives a muddled message. However, the film redeems itself to an extent by the story it chooses, the issues it touches upon even if briefly, and a few genuine moments.
Full review ↗TRM 3.8+1.2
As someone who wholeheartedly enjoyed ABCD, I have to say this has proven to be a disappointing and unworthy sequel. The film ends with a quote by Remo that says, 'Life is all about the next step'. We certainly hope Remo's next step has us dancing again!
Full review ↗TRM 5.4−0.4
Mohit Suri is a fine director, but has often displayed a misogynistic core in some of his films. That continues here, as the story takes one shockingly regressive turn after the other. It's difficult to process that Mahesh Bhatt has penned this story.
Full review ↗TRM 3.3−1.3
When an entire film is a homage, you wonder whether the limits of self-indulgence by a filmmaker have been challenged. When not making references to the Kapoor khandaan , and assaulting the audience with a song ever ten minutes, Bhansali outdoes himself. He also includes nods to his own films...You feel almost left out in this self-sufficient Bhansali-Kapoor family as they go about celebrating and acknowledging each other?s achievements through this film, making you feel like an intruder who?s crashing into their private party.
Full review ↗TRM 4.5−0.5
Ultimately the film is about everyone having their hearts set on different things, and allowing for a space where everyone's wishes thrive. Despite the few flaws, the film boasts of a robust heartbeat. Worth your time!
Full review ↗TRM 6.3+0.7
Fans of Andaz Apna Apna, and there are plenty, are hugely excited about Santoshi?s return to comedy. It's difficult, however, comparing AAA with APKGK as both follow different schools of humour ? Andaz... was all about ridiculous situations, mixed identities and witty lines while Ajab... involves goofier, physical comedy.
Full review ↗TRM 5.5+0.5
It's one thing to caricaturize for humour, and another thing to completely misrepresent something. One also wishes the humour wasn't accompanied by the insufferable background core and sound effects. However, if you can look beyond these flaws, the film is worth your time for the unique story, performances and some genuine laughs.
Full review ↗TRM 3.9+1.1
Debut writer-director Parmeet Sethi (veteran actor most famous for playing the groom in Dilwale Dulhaniya Le Jayenge) has made a crime fairytale with little plausibility and lots of gloss. Watch it if you must see sprawling mansions, overnight riches and glam clothes. And if you don't mind if it all doesn't make sense.
Full review ↗TRM 4.7−1.7
Dil Bole Hadippa! is nothing without Rani Mukherjee. Excelling in every sphere from her fab dance act as a man, or her comic timing, or convincing us of her character's commitment to the game, Mukherjee is astounding. Add to that her new look complete with a trimmed down figure, dazzling eyes and a never-ending smile. Shahid Kapoor as the no-nonsense captain is delightful as well, and the two lead actors share a mischievous, crackling equation.
Full review ↗TRM 4.5+1.5
Some might fear Paa would be a depressing, melodramatic film or a shadow of 2005's heavily emotional Black. It's not, and neither does it have any link to The Curious Case of Benjamin Button...R Balki outdoes himself with a film that's intelligent, entertaining and visually arresting. It's indeed a pleasure presenting four stars to a film after years. You don't want to miss this one.
Full review ↗TRM 6.8+1.2
This is just a film that sadly reconfirms moralistic misconceptions most people hold against the fashion industry. And against an ambitious woman who wants to make it big in the glamour world. When the character of Meghna falls flat, the chauvinistic can almost say we told you so. Thankfully, she does pick herself up.
Full review ↗TRM 5.3−1.3
In the end, however, you will love this nutty comedy for its characters that are nuttier still. Much like all of us and the people we love. "Death and shit can come anywhere," says a character. That's quite a philosophy! Watch it, and then watch again. This one's a winner!
Full review ↗TRM 7.3+1.7
This is yet another B-grade Bollywood film made with the intention of exploiting Sunny Leone's image. Except for the sexuality, her character does not seem to have any other characteristics.
Full review ↗TRM 2.7−1.7
It's a wonderful voyage captured adeptly by Paresh Mokashi. You don't want to miss the film that'll have you laughing most of the times but not without missing the enormity of the story.
Full review ↗TRM 7.4−0.4
This is a low-brow, gimmicky film that capitalizes on one of Hindi film's most iconic villains, and more unforgivably, on the aam junta's frustrations with the system.
Full review ↗TRM 4.8−0.8
Debut director Anil Kumar Chaudhary whips up a film that makes a few quick points with a one-dimensional and simplistic narrative. The film does have a few moments like the mother's unconventional ways of cheering up her upset daughter and the uneasy equations between successful and struggling friends. However one wishes the rest of the film was as heartfelt as them. In the end, you are left with the thought that the film could have been so much more.
Full review ↗TRM 2.9+1.1
Director Ranjit Kapoor happens to be the co-writer of the classic comedy Jaane Bhi Do Yaaron and the director of the charming Chintu Ji (2009). One wonders what happened here. Sadly the filmmaker is not on firm ground here, giving us a film telling us what we already know, with a story we've seen too many times already.
Full review ↗TRM 3.6−0.6
A dash of reality would have given Laila's journey that much more gravitas and credibility. And the film does go a bit off-focus in the second half. But one still recommends the film wholeheartedly! How often in Bollywood do you see a differently-abled bisexual heroine, one who gets to have her own share of flaws, her romantic adventures, and her journey towards self-actualization? This margarita is intoxicating stuff, even if with a straw!
Full review ↗TRM 6.7+0.3
But the central flaw with the film is Mr. X himself who never piques our interest and is as hollow inside as he is on the outside. Steer clear.
Full review ↗TRM 3.2−1.2
This is a delicious slice-of-life film that puts forth various issues, and celebrates the unintended and often dark humour that we see all around us. As the lights dim on a closed courtroom, we understand the director is making a symbolic point. Indians often say that one should keep away from the 'chakkar' of courts and hospitals as far as possible. The film shows us why. And it's sad, sad indeed.
Full review ↗TRM 8.1−0.1
...a half-entertaining story that unfolds between songs, some past life mumbo-jumbo, sprinkles of Rajasthan exotica, and a good-looking cast that makes it somewhat bearable. And why half-entertaining? Because it's so ludicrous, it's almost fun!
Full review ↗TRM 3.6+0.4
This is a film that could have been much more, and yet is fulfilling despite the minuses. Recommended!
Full review ↗TRM 4.7+1.3
Ladies, if you like being called 'Party Pack' and 'Family Pack' and have the same IQ as the female characters of this film, you too might dissolve into giggles and enjoy the cheeky humiliation. For those men who think being creepy is cute, this is your fairytale. For all the sane people, call your DVD guy to rent out a genuine sex comedy instead!
Full review ↗TRM 4.7−1.7
Director Navdeep Singh who made the delightful Manorama Six Feet Under, whips up a film that's unrepentantly dark, gritty and gruesome. And you still watch with rapt attention, as the story that is unfolding is so deliciously intense and the performance by the leading lady so earnest and untethered. This is a jolt-filled ride you don't want to miss!
Full review ↗TRM 6.8+0.2
The cast is sprightly and earnest, but let down by a dodgy script and inadequate execution. Director Amit Khanna gives us a film with a reasonably interesting premise, but executed in an outdated, offensive and dull manner. You truly wish they'd change the title tagline.
Full review ↗TRM 3.4−1.4
The film can be endured by those excited enough to see Nana Patekar back in action, such that they'll overlook the film's shortcomings. If that's not you, it's wiser to pass.
Full review ↗TRM 3.4+0.6
Director Sharat Kataria weaves together a film that has enough heart, humour and romance to warrant a second-time watch. Do not miss!
Full review ↗TRM 6.8+1.2
The film is mainly recommended for Nawazuddin Siddiqui's class act as the impudent criminal. Other than that, the film has some solid, immersing moments and an equal number that are misogynistic and repulsive.
Full review ↗TRM 6.9+1.1
... the viewer is often lost in a labyrinth, which is interesting for a while, and onerous thereafter. Despite these flaws, the film is still enjoyable in sporadic bursts for the immersing story, an unconventional lead cast, and the visual flair.
Full review ↗TRM 4.1+1.9
This is one of the few films we experience and not just watch. We revel in and relish the unusual story, the characters, their equations, and soak in the performances and aesthetics. Don't miss!
Full review ↗TRM 5.7+2.3
Debut director Vibhu Virender Puri was probably attempting— as one can see from the visual splendor, shots of magic realism, and wry humour— to make a Wes Anderson-meets-Sanjay Leela Bhansali style epic. But barring the film's story and a few immersing scenes, all you have is characters you don't emotionally invest in, bizarre dialogue, and a lifeless romance. That's unfortunate indeed, as this story was rich with possibilities.
Full review ↗TRM 4.3+0.7
Debut director Abhishek Dogra gives us a film that's an above-average entertainer, with an interesting story and a solid ensemble cast. Worth a watch!
Full review ↗TRM 5.2+0.8
The film is full of improbable developments, convenient cinematic license and absurd portions. The only redeeming features are the ensemble cast, a few engaging action portions and a fast-paced second half.
Full review ↗TRM 6.3−1.3
This is a below-par film - an unabashed copy, relying on a few lame thrills and the erotica to sail through. Whether it will, is for the audience to decide.
Full review ↗TRM 3.6−0.6
Shankar's latest a complete disaster! 'I' really want to know how a film with such an interesting premise ended up as such a watered-down version. Too bad, really!
Full review ↗TRM 5.6−2.6
Bring on the yawns! It does seem that South Indian cinema has moved on and is exploring some wildly interesting stories, while Bollywood is perplexingly keen on retracting steps. This has to stop. Let's hope this is not a sign of things to come in 2015.
Full review ↗TRM 4.6−1.6
The film targets a young audience, and they have to be prepared to appreciate the story at a slower pace than they are used to in commercial Bollywood cinema. It's worth the patience, because you get a well-cooked meal where all the flavours get a change to integrate with the dish. Worth sampling!
Full review ↗TRM 6.00.0
Kashyap (Gangs of Wasseypur, Dev.D, Black Friday) gives us a film that represents a disturbing reflection of life. It's a film where there are only villains in varying degrees and no heroes. It reminds you of his 2011 film 'That Girl in Yellow Boots'.In the end, 'Ugly' is a fairly gripping film that's also exhaustingly melancholic and cynical. After all, it does seem unreasonable to view the world only through smog-tinted glasses!
Full review ↗TRM 7.2−1.2
For the cheeky comedy that often laughs at itself and largely for Imran Khan, this is a likely weekend treat, served sizzling hot.
Full review ↗TRM 5.7+0.3
It's amazing that the makers thought of bringing us such an entertaining and thought- provoking film through the eyes of this unique character. Perhaps we all need a PK with us. As PK says, Earth ki to lulli baji hui hai.
Full review ↗TRM 7.4+1.6
Had the story chosen not to take the regressive and cliched path towards the end, the film would have been path-breaking. Still, for the fresh sparks in the story, Shah Rukh Khan's hugely entertaining performance and Anushka Sharma's confident debut, Rab Ne Bana Di Jodi remains unmissable.
Full review ↗TRM 5.8+0.2
Indeed it is refreshing to see a film about weddings that is neither loud nor preaching customs and archaic traditions. Instead, Sharma brings us a reflection of evolving India that still loves its shaadis and all the drama that comes with it...a bright, dancy, feel-good movie that doesn't insult your intelligence. What's not to like?
Full review ↗TRM 6.1+0.9
This story of a poor little rich girl falling for a rank opposite could have been cute in a rom-com kind of way. But everything in Main Aur Mr. Riight (that double 'i' is particularly bothersome), from the emotions to the characterization, is way too synthetic to leave an impact.
Full review ↗TRM 3.4−0.4
Worth a watch if you don't mind the insinuated '80s style melodrama and the simplistic storytelling.
Full review ↗TRM 4.3+0.7
Director Amit V Masurkar's indie slacker comedy hits home for the most part as it is gives us these deeply flawed, real characters that we laugh at and laugh with. We emotionally invest in their everyday tragedies and smile at their comical solutions. In that sense, the film is as rich, complex and tragicomic as life itself. Go for it!
Full review ↗TRM 6.0+1.0
Despite the cast and solid performances, the film doesn't quite get it together. As is often the case, there is a yawning gap between the good intentions of a film, and the way it actually pans out!
Full review ↗TRM 5.7+0.3
The film is worth a watch strictly for the cast and the songs. That's if you're willing to endure the unbelievably long and violent film for that. Clearly, Prabhu Dheva (Wanted, R…Rajkumar, Rowdy Rathore) is in no mood to let go of the stale Bollywood formula. And as the audience, you can either play along or move on!
Full review ↗TRM 2.6+2.4
It's worth a watch for the intent, the unique story, powerhouse performances and bits of genuine humour. After all, who doesn't like a biting parody, even if you wish it were sharper.
Full review ↗TRM 5.9+0.1
The issue the film takes up is pertinent and that needs to be applauded. Even the solution— that of common people breaking the law to teach the corrupt and criminal a lesson— had potential for a rousing story. But where's the point, if the execution doesn't convince you of either the path or the people undertaking it. This could have been a highly impactful, immersing film that, despite its intent, falls tragically short.
Full review ↗TRM 4.8−0.8
Unlike Khuda Ke Liye where you could sense the filmmaker's urge to put forward a point, Kurbaan is a `terrorist flick', where the Kareena-Saif chemistry will be better liked and talked about than the film's content. Sample Kurbaan if you can forgive the director's `filmy' take on terrorism and can enjoy the thrilling moments and superb performances nevertheless.
Full review ↗TRM 5.6−0.6
It's disappointing that director duo Krishna DK and Raj Nidimoru (Go Goa Gone) have come with as film that is pretentious and hollow, embracing the very cliches it makes fun of. After all, it's unfair when a pot calls the kettle black.
Full review ↗TRM 5.3−1.3
For the cast, and a few interesting moments, and the stylistic treatment (that often goes overboard), this one's an ok watch. That's if you're up for a cliched story packaged a little differently.
Full review ↗TRM 4.4+0.6
Debut writer-director Abhishek Sharma gives the audience a fresh, wicked comedy, that's unapologetically defiant. Now either you can frown at the political incorrectness of it all, or laugh along with the audacious humour.
Full review ↗TRM 6.2−0.2
In the end, director Abhishek Sharma (Tere Bin Laden) gives us a fast food version of what was a very charming and humorous film. Go for it if you have the stomach!
Full review ↗TRM 4.9+0.1
For choosing to tell the story of this extraordinary artist and for standing up for artistic freedom, Rang Rasiya is recommended. That it could have been a far better film, is another story.
Full review ↗TRM 6.00.0
Producer-director Indra Kumar (Grand Masti, Dhamaal, Dil, Beta) gives us an unpalatable mash-up of Baghban, Khoon Bhari Maang (the makeover portion), and the regressive portions from English Vinglish. Yup, that's right. Run the other way.
Full review ↗TRM 3.0−1.0
In the end, director Kamal Sadanah perhaps intended a well-meaning film but got the grammar of filmmaking all wrong. With a subject such as this, it's truly an opportunity missed.
Full review ↗TRM 4.0−1.0
I suspect the audience may not care for such details. Most will be there to take in the star-studded cast, the visual splendor and laugh on the silly jokes. And Farah Khan delivers on all three counts. Ignore the fundamentals, and watch it for the fun.
Full review ↗TRM 5.4+0.6
3 Idiots is a film that appears borrowed from too many sources and the haphazardness shows. Editor-director Rajkumar Hirani can't seem to shake Munnabhai out of his system and appears to have replaced the actor and the setting, while retaining the core formula. Unfortunately, 3 Idiots lacks the effortless simplicity, sweetness and honesty of the Munnabhai films. Though a bit too calculated and designed, 3 Idiots is still an ok option for the significant message, interesting cast and scattered breezy moments.
Full review ↗TRM 6.6−0.6
Those who've tasted the work of Martin Scorsese and Quentin Tarantino may enjoy Kaminey without labelling it as being spectacularly genius. As crime dramas go, the film is supremely clever, complex and funny. Worth a munch.
Full review ↗TRM 7.1−0.1
Gulabi Gang is a fascinating and arresting account of an extraordinary activist who leads the meteoric rise of her organization. You must treat yourself to this one!
Full review ↗TRM 6.9+2.1
As a social commentary, the film succeeds only intermittently, and is not as complex and effective as last year's Shanghai. There are other ambiguous points in the film. But here's the thing: you ought to watch the film.
Full review ↗TRM 5.7+0.3
The film, directed by Navneet Behal, gives the viewer nothing new. One wonders the purpose of making a crime film (we recently saw Desi Kattey, again titled after guns), that the viewer has seen a hundred times already. Curious, really!
Full review ↗TRM 3.7−0.7
Despite its flaws, the film is highly recommended for characters that stay with you long after the film has ended, actors who bring them alive with such sincerity, a unique story, and some heartfelt humour!
Full review ↗TRM 5.8+1.2
But the film ends as badly as it started, saved by the lead actors-cavorting-in sexy wear song at the end credits. Most people hung around for that and left swooning about the beauty of the lead actors. If you're content doing that, plus enjoying a few over-the-top stunts, book your ticket.
Full review ↗TRM 4.3+0.7
Bhardwaj and co-writer Basharat Peer (who authored the book Curfewed Night based on the Kashmir conflict) give us a film that leaves you in its spell long after. And if you can overlook certain blemishes, you'll be happy to be mesmerized!
Full review ↗TRM 7.1−0.1
If you're interested in yet another mediocre UP movie about petty criminals, this is your pick.
Full review ↗TRM 2.8+0.2
Director Vishal Mahadkar gives us a film, an amalgamation of so many horror films, which in the end is neither completely original nor spooky. Venture in only if you're not a hardcore horror fan.
Full review ↗TRM 4.00.0
Soha Ali Khan is the brightest spot in the movie, with her earnest performance. But she can do only so much to salvage the film. Ditto veteran actors Zakir Hussain, Seema Biswas and Mukesh Tiwari, and the adorable child actors. This could have been a better movie with more conviction and imagination.
Full review ↗TRM 3.9+1.1
Writer-director Habib Faisal (Do Dooni Chaar, Ishaqzaade) attempts a foodie rom-com with a well-intentioned message. Perhaps it's too much to put into one film, and all you get is undercooked, bland biryani, where the flavours clash instead of complementing each other.
Full review ↗TRM 5.00.0
This film has little of the gentle nuance of the Hrishikesh Mukherjee-directed original, but it's still pretty good fun. This Bollywood-Disney fairytale combo is worth a shot!
Full review ↗TRM 5.5+0.5
This film could have been much more, had the creature too been given more personality and heft. This is one of the few films where the antagonist must have as much substance as the protagonist. Here's it's reduced to being just a freak, a cursed lizard-man, out to devour people. Too bad, really.
Full review ↗TRM 3.9
Adajania brings in an arresting story, great atmospherics, and memorable character superbly acted by the cast. All this with a sprinkling of some deliciously wicked humour. This little, big film is all heart. You shouldn't miss it!
Full review ↗TRM 6.8
The film is about the triumph of a person who makes it against all odds. Mary Kom is an important film that's hugely inspiring. But more importantly, it's also great fun to watch. Book your tickets, I say!
Full review ↗TRM 6.1+1.9
The film will seem monotonous for the most part, save the finale where you are at the edge of your seat for a few moments. In short, if you're looking for Jannat rehashed with the crime-romance-drama combo, catch this one!
Full review ↗TRM 4.5+0.5
We have an interesting film with an inspiring hero, a menacing villain that you personally want to thrash, and a story that touches your heart. All this, and Rani Mukerji! More reasons to watch, than not!
Full review ↗TRM 5.8+0.2
On the whole, Anjaan is for those who seek unabashed entertainment and relish masala films.
Full review ↗TRM 4.7+1.3
This is a Rohit Shetty film, and that should be a genre in itself. You'll get a film full of violence and a simplistic plot, that's still watchable (even entertaining at times) for the actors, the few moments of genuine conflict and romance, and the earnest representation of the hero's angst. Worth a watch, if you can be patient with the trappings of a formula film.
Full review ↗TRM 5.3+0.7
Taare Zameen Par is an outstanding work of cinema. To miss it would be sacrilege. It has everything it takes to win awards and box-office rewards! Do yourselves a favour. Watch Taare Zameen Par with your child. It will change your world. It will also change the way you look at your kids!
Full review ↗TRM 7.3+2.7
Disappointingly regressive and only sparsely funny, the only entertainment comes from the portions involving the dog. One wishes the film lived up to its name!
Full review ↗TRM 4.0−1.0
...what you get is an archetypal Salman film with the regular cliches, and a few moments of, err, kick.
Full review ↗TRM 5.5−0.5
Hate Story 2 is marketed as an erotic thriller, and scores pretty low on both the erotic and thriller counts. It's a revenge drama, straight and simple, with some elements of erotica and thrills folded in. The film is a drag for the most part, but it's still better than some of the "100 crore" films thrown in the audience's face in the name of entertainment.
Full review ↗TRM 4.2−0.2
A remake of Karthik Subbaraj's Tamil hit film Pizza, this one seems pretty much frame-to-frame save a few changes. Debut director Akshay Akkineni gives us a film that's more thrilling than frightening. Pure horror fans may be disappointed by the lack of genuine scares. But if you're looking for a thriller with a supernatural element and a crackerkjack ending, this could be your pick.
Full review ↗TRM 4.7+1.3
This is a film that's very much like the cold coffee our protagonists enjoy. Enjoyable, cool and good while it lasts. Slurp on!
Full review ↗TRM 6.0+1.0
It's a delectable biryani (you'll understand the reference better if you watch the film) masterfully prepared, and full of subtle flavours and heart. Don't miss!
Full review ↗TRM 5.3+1.7
Ek Villain, or a manual on different ways of killing women, is a gory film that's hesitant to acknowledge its dark layers. On the surface, it's mostly an optimistic movie with a preachy 'Darkness can be destroyed only by light' message. Watch if it a film that's essentially unoriginal, with plasticky emotions, and unnecessary gore fills up your soul. The only redeeming aspect is Riteish Deshmukh's performance, but that would mean enduring the rest of the film as well!
Full review ↗TRM 4.9−2.9
Watch it if you can tolerate Saif (dressed as a waitress, and looking eerily like a revolting version of Soha Ali Khan) getting sexy with Riteish, and Riteish (in a skirt) seducing Saif's clone. And if Ram Kapoor lusting after his own clone (in drag), and trying to rape "her" is your idea of fun, who am I to judge. Just don't say you hadn't been warned!
Full review ↗TRM 2.5−2.5
With a lame story, uneven performances, offensive dialogue, and storytelling that barely holds your attention, this one is best avoided!
Full review ↗TRM 3.4−2.4
The film starts as an arresting concept, but that sadly hasn't been realized to its potential.
Full review ↗TRM 3.4+0.6
Do not miss this National Award-winning tragicomedy. Such cinematic gems, both entertaining and poignant, come by rarely!
Full review ↗TRM 7.2+0.8
... entertains in its narrative playfulness — another entry in the burgeoning fad of puzzle-making sci-fi, as seen in Inception and Looper. Few filmmakers have Liman's knack for smart plotting; his much earlier Go inventively connected three intertwined stories.
Full review ↗TRM 6.7+1.3
Holiday is a remake of Murugadoss's 2012 Tamil hit Thuppakki, which I hear was fairly watchable. What happened then? Did Murugadoss try to Bollywoodise the perfectly fine story? Reminds one of that phrase—"If it ain't broke, don't fix it.'
Full review ↗TRM 5.1−0.1
The film doesn't quite work to its full potential. You might want to sample it for the story, formidable performances and few arresting moments.
Full review ↗TRM 6.8−0.8
You can watch the film for the visual chutzpah, a sprinkling of interesting behind-the-scenes moments, and the intermittent unintentional laugh. But honestly, enduring the rest of the film for that, is a stretch.
Full review ↗TRM 3.9+0.1
This is a black-and-white, predictable film; but still watchable for the incredible child actors, the infallible underdog story, and some warm moments.
Full review ↗TRM 6.7−0.7
One of the few films that is as entertaining as it is thought-provoking. Do watch!
Full review ↗TRM 5.0+2.0
The story is arresting, but one wishes actor-director Vijay Raaz's direction was as strong as his performance. The storytelling is clever but falters on the pacing. As it is, the film gives us only two central character and two peripheral ones. The location remains essentially the same. It is then up to the editor and director to make each scene striking.
Full review ↗TRM 5.5+0.5
The film ends with (believe it or not) synchronized dancing. Yes, it's that kind of a movie. But the film is not a total let-down. It has an interesting protagonist, an arresting story (sadly told in a simplistic fashion), and some effective moments. The gripe is this could have been a far, far better film. Too bad, really.
Full review ↗TRM 4.1+0.9
Do watch this desi Kill Bill of sorts to experience a different kind of Bollywood film. Forgive the inconsistent second half, and what you have is a film that entertains, makes you laugh, and gives you food for thought. Truth be told, the film is worthwhile for Kangna Ranaut's performance alone. Don't miss!
Full review ↗TRM 5.6+1.4
Neither a biting enough political satire, nor a moving drama— Dekh Tamasha Dekh hangs precariously in-between. You understand the intention, you even connect with a few scenes, but overall the film is dismal. Avoidable.
Full review ↗TRM 6.2−3.2
A vivid and delightful animated spectacle, Rio 2 is chock-full of colorful 3-D wonder and jubilant musical numbers set against a tale of family dynamics and environmental dilemmas.
Full review ↗TRM 5.8+1.2
In the end the film leaves you with a preachy, but timely message. But again, it's likely to be lost on children. If you don't mind the supernatural comedy taking a somber turn towards the finale, the film is worth a watch!
Full review ↗TRM 5.8+0.2
I guess anything goes in a David Dhawan movie. Which is disappointing. Our movies and audience are making an attempt to evolve, but some filmmakers are insistent on rehashing the same old formula with new actors. Watch it if you don't mind being served old wine in a glitzy new bottle.
Full review ↗TRM 5.5−0.5
So what you get in the end is a gorgeous looking, muddled film that leaves you unmoved. But isn't that the most important thing?
Full review ↗TRM 5.3−0.3
The least one expected was a new perspective. As a character in the films says –'It is poetic'. Sadly the film is not. Avoid. The convoluted second half makes sure the viewer is completely disconnected, with the finale twist being the only interesting aspect.
Full review ↗TRM 3.3−0.3
One of the film's main draw— Sunny Leone looks the part. Compared to the obvious awkwardness in her first Bollywood film Jism 2, there's a marked step-up. The film could be disappointing for serious horror buffs. It may not be the scariest film you've seen, but with the combination of a few chilling moments, excellent supporting cast and the comedic relief, it certainly is entertaining!
Full review ↗TRM 4.4+1.6
With none of the charm of the original, the film will certainly infuriate those who've seen it. Even for those who haven't, the only draw would remain the story about ghosts and their struggle to retain their home. But with unforgivably clumsy execution and mostly awful acting, one would recommend you rent out the original.
Full review ↗TRM 3.6−2.6
The film could have been a modern rom-com dealing with issues of the recession, over-bearing parents, changing love equations etcetera. But what you get are good-looking actors, a few immersing moments, and an amusing sitcom episode at best.
Full review ↗TRM 4.6+0.4
One doesn't know whether to call it a flaw, but the film's antagonist is far stronger than its protagonist. The character is superbly etched even if bordering on caricature, has the best dialogue and is incredibly performed by Juhi Chawla. Of course, since she is a politician, every other dialogue begins with Politics mein…. But Chawla makes this character the most entertaining and immersing part of the movie.
Full review ↗TRM 4.5+0.5
A true coming-of-age-story…no cop-out. Now that's a rare Bollywood gem. Do Not Miss!
Full review ↗TRM 7.8+0.2
With a take on relationships that starts off as modern, but cops-out; it's the humour and performances that are worth savouring. Guess that would even the scales for a just about decent watch.
Full review ↗TRM 5.6−0.6
If you're in the mood for a decent horror flick that has an equal number of spooky and dry moments, you won't mind this one.
Full review ↗TRM 4.1+0.9
Maybe there's no need to intellectualize this beautiful bond and just savour it as it is. Just like the film. Do Not Miss!
Full review ↗TRM 6.3
The film is watchable, yes, but less for the unimpressive story and mainly for the Ranveer-Priyanka-Arjun combo. And it's well worth the effort!
Full review ↗TRM 4.9+1.1
Heartfelt and technically sound, the film is a mean debut by advertising man Vinil Mathew. Go watch!
Full review ↗TRM 6.1−0.1
The intention is to bring something unusual to the table, and the film does occasionally succeed in offering a few interesting moments, particularly the shifting equations between Samara and her mother. But otherwise it cannot keep you interested in either the characters or their lives. Sadly in the end, it turns out to be more clutter-inducing than clutter-breaking.
Full review ↗TRM 3.5+0.5
The film appears to be a massive PR fillip for Salman—working on his image of a do-gooder with a volatile temper. The film and his image feed off each other. There's also some token nationalism forced in for good measure. You'll get a lot of Salman Khan here, but an entertaining movie, you will not.
Full review ↗TRM 5.2−1.2
The dialogue is spectacularly insipid. "Akkal baadam khaane se nahin, thokar khaane se aati hai," is one gem. And then there are the lame retorts that the central character tries passing off as smart-alecky.
Full review ↗TRM 2.6−0.6
It has fabulous performances by the cast. Plus, Ahluwalia's film has the impressive research, technical finesse, genre-breaking style, and an exciting backdrop. But what's the point when viewer keeps getting disconnected from the story and characters? In the case of Miss Lovely, the subject and style is far more absorbing than the film. Too bad, really!
Full review ↗TRM 6.3−1.3
... no brownie points for making a film like this. Yaariyan with its synthetic characters and artificial emotion has the depth and intelligence of a seedy music video. Steer clear!
Full review ↗TRM 3.0−2.0
There's so much to be savoured in the film -- from the performances, aesthetics, music, and the story itself. You don't watch a film like this, you soak it in!
Full review ↗TRM 7.4+0.6
It's exhilarating to get the opportunity to watch Sholay on the big screen. I was jittery about the 3D, but thankfully it doesn't take anything away from the movie. The shots where things are flung in your direction are gimmicky, but the 3D is at its best when it's invisible, giving you the added depth and bringing the story alive.
Full review ↗TRM 8.4+0.6
Debut director Samir Tewari's Mr. Joe B. Carvalho is not as funny as its title. It's impossible to endure a below-par film for just a couple of funny moments. Too bad, really. It would have been wonderful to begin the New Year with a crackling comedy.
Full review ↗TRM 2.5+0.5
One wishes our filmmakers quit mythological stories and gave our little viewers more age-appropriate stories that are full of magic and fun. That, or at least interpret the heavy-duty mythology to suit the sensibilities of children. Otherwise all they see is war, revenge and killing without understanding the real learning behind these epic stories!
Full review ↗TRM 4.5−1.5
Acharya leaves the audience in a twist during the interval, and you're left guessing what the great suspense is. There are obvious Hollywood influences (Now You See Me, The Prestige, The Dark Knight Returns) all through, and one wonders whether it's a paucity of original ideas or do production houses want to play too safe.
Full review ↗TRM 6.00.0
It is to Kapadia's credit that the film is watchable, even if intermittently. How you wish this super-talented actress could find a film that exploits her comic timing. The rest of the cast does well, but is let down by the film. Sigh, yes. This is one of those films you reckon the title and concept is far more absorbing than the film itself. What's the point then?
Full review ↗TRM 3.5+0.5
Filmmakers like Prabhu Dheva aren't even trying to make good films. It's a set formula that benefits average filmmakers and audiences that either don't like being challenged, or don't have other options. Avoid, unless you're stuck in a time-warp.
Full review ↗TRM 3.1−0.1
Watch if a dumbed-down film about senseless revenge and violence fills your heart. Otherwise, strictly avoid.
Full review ↗TRM 5.1−3.1
For those who want to relive old-school melodrama, and consider themselves as Sunny Deol fans, there are no surprises in store. But then, that's exactly what you signed up for.
Full review ↗TRM 4.7−1.7
With severely cliched characters, a glaring lack of humour for a rom-com, and a muddled love story that does not hold your interest, the only upside to the film is Kareena Kapoor's crackerjack performance.
Full review ↗TRM 4.7−0.7
Save for Kangna Ranaut's arresting screen presence and earnestness, this film has nothing going for it.
Full review ↗TRM 2.7−0.7
You won't come out of the theatre texting your friends that it's a must-see film. But it's a film where you can enjoy the imagery, the intensity, performances and chemistry, and forgive the excesses. A frilly good watch!
Full review ↗TRM 6.4+0.6
TRM 5.7−2.7
...salutes the man who walked a unique path, almost as if he were destined. Powerful, engaging and thought-provoking, the film does full justice to the man and his extraordinary life. Watch!
Full review ↗TRM 7.4+0.6
What you'll get in the film is lots of Akshay Kumar and a few amusing moments. What you'll have to endure for that is the entire film. Do the math.
Full review ↗TRM 4.9−1.9
For the crisp writing, humour and Manish Paul's antics this one's worth your time.
Full review ↗TRM 4.8+1.2
This is one film that's completely critic-proof. Vacations are upon us, and in the gaping abyss that is the lack of children's films, arrives this somewhat entertaining film with star-value.
Full review ↗TRM 5.5
