So if you are looking for a fun ride, Ungli won’t disappoint. But because of its simplistic approach, Ungli is only entertaining, not thought-provoking.

I think it’s putting too much of a responsibility on a film to instigate a social change. It’s job is to primarily entertain and make better cinema. Ungli’s novelty is its highlight point. Benefitting from sharp writing, lucid narrative and a few clapworthy zingy dialogues which have the punch, I do think Ungli is one of 2014′s most novel concepts. Well rendered and acted with zeal, don’t miss five people showing an entire system, the finger.

D’Silva has taken dollops of cinematic liberties and one can even see the residue of RANG DE BASANTI (which he co-wrote) but the movie does connect. And that is what matters.

The good looking bunch of actors with decent performances (Hooda and Hashmi stand out) managing-to-keep-you-hooked kind of script and a fairly laidback, easy, not in your face direction (Rensil D’silva) could have made this film wonderful, but for the dialogues.

Ungli has an interesting plot, backed by good acting performances. You will not feel bad spending your hard earned money on this film. Even waiting for the DVD would not be a bad option.

This movie will make you laugh right till the end! And if you have been living under a rock and haven’t had such an encounter, then it’s safe to say you can simply watch it for Shraddha Kapoor.

An engaging film Ungli is. But like observed in another film not too long ago, “Human behavior and life doesn’t change in 3 hours.”