• Shalini Langer
    Shalini Langer
    Indian Express


    Don’t miss this Julia Roberts and Jacob Tremblay starrer…In any lesser hands, the film could easily have become either too exploitative or too maudlin. Instead, Chbosky, the co-screenwriter of Wonder, just gets what the book is about.

  • Soumya Srivastava
    Soumya Srivastava
    Hindustan Times


    Fans swear by the intellectual depth and the liberating story of Perks of Being a Wallflower, Chbosky’s only other big film, but even that failed to register with me as little more than being dunked in a well of emotions without really soaking in anything. Sadly, this film fails to make a splash either.

  • Rohan Naahar
    Rohan Naahar
    Hindustan Times


    It doesn’t come close to Marvel’s Avengers, but thanks to top work by Gal Gadot, Jason Momoa and Ben Affleck, it’s certainly a more lighter film than Batman v Superman.

  • Deccan Chronicle Team
    Deccan Chronicle Team
    Deccan Chronicle


    ‘Wonder’ tells a great story with layers of deep feeling and questions of identity and makes the whole thing feel like a breeze.

  • Neil Soans
    Neil Soans
    Times Of India


    There are points when you will reach out for some tissues but they’re peppered with enough laughs along the way to make it well-balanced, extremely relevant and combined with a strong message. This wholesome family entertainer is certainly worth your time!

  • Sarita Tanwar
    Sarita Tanwar
    DNA India


    Watch it for the sheer adventure. For those who don’t speak or understand Marathi, there is the universal language of cinema, and subtitles.

  • Wonder, as effective as it is, is a movie in which everything has a way of working out with tidy benevolence.

  • You don’t need extra frills when you have an actor like Tremblay effortlessly delivering another tremendous performance — who makes you empathise with him without being overtly sweet. After Room and now Wonder, he’s pretty much en route to becoming a superstar.

  • AP
    Gulf News


    All of these characters, or nearly all of them, are given backstories, heralded by their names in intertitles, sympathetically letting us in to their private lives. (Not Julian though: he gets to be the bully, and that’s it.) But there are no real ironies or complexities and Miranda’s secret emotional journey is outrageously unlikely. It is a film with all the depth of a fridge magnet.