Vai Raja Vai is surely a well woven tale of an ordinary man with a single extraordinary possession and the greed of people around him. Aishwaryaa has also brilliantly ended the movie with a potential lead to a joint-sequel of Vai Raja Vai and another celebrated movie. Are we looking at a potential flick featuring Dhanush and Gautham Karthik?

Okay, moral of the story – One fine morning, Mani Ratnam got up and decided to make something special for all young people out there. He then makes OK Kanmani, and in style !

Yennai Arindhaal is a feeling, a learning that just takes sometime to tell you the story, by not dramatizing events and exaggerating factors. Finally, Gautham should be credited for making a movie not for Ajith fans, but one which Ajith’s fans will enjoy! Isn’t that what good cinema is about?

Ultimately, it’s an amalgamation of Masters at play which works to a larger extent because of their huge efforts.

…Kappal is an attempted laugh riot that might just work for the majority.

Toting up, Prabhu Solomon’s Kayal is a beautiful love story complemented by amazing visuals, exemplary music, some great performances and a greater writing….

Go watch Meaghamann if you are excited by the idea of a serious action film with some style and intelligence. Magizh Thirumeni’s screenplay is plausible with the right cinematic liberties.

Giving so much importance to a dog over the hero, logical screenplay, duration of the film and a engaging climax are the positives of Naaigal Jaakirathai. This is arguably the only authentic dog based film after the well known Rama Narayan directed stories that had animals playing vital roles.

To sum up, Kaththi is a grand production which rides on Vijay’s dual roles, the social interest angle and some impactful scenes which are part of the mix.

Madras, though on the longer side and venturing into predictable territory beyond a point, stands out for the presentation, the characterizations, the performances and for the unflinching direction efforts of Ranjith.