• …does not have the soul-stirring quality so necessary in a film of this kind. Although the last couple of reels are fairly nice, the implausibility of the drama makes it rather unpalatable for the audience. It will, therefore, fail to make its mark.

  • …a dull fare and will, therefore, bomb at the box-office. It will entail heavy losses to all concerned.

  • … does not succeed in making the audience laugh too often or too much and will, therefore, not bring smiles on the faces of the people connected with the film. It will, in fact, entail heavy losses to all concerned.

  • …a well-made and well-enacted film but too philosophical and just too class-appealing. It will, therefore, not be able to score in the cinemas.

  • …a beautifully-made and very well-enacted film but it is of the kind which would be appreciated in the festival circuit. At the box-office, it stands bleak chances because it is too stark and too depressing.

  • …is a surefire hit as it has the deadly combination of sex, horror, comedy and hit music. It will please the masses and classes alike and will work wonders at the box-office from North to South and East to West.

  • …entertains in parts only. The overall impact, however, is not upto the mark. Given the poor start of the film on the one hand and the absence of hit music or great content to boost its chances on the other, it will do average business in the cinemas.

  • Kangana Ranaut’s performance in Queen overpowers the film itself. The film will, therefore, not be able to realise its full potential. It will do ordinary business because in centres other than the big cities, the audience looks for excitement in drama more than performance of the cast. Business in cities will definitely be good despite very poor opening as the word of mouth for Kangana’s acting will be supremely positive.

  • …is too dull, dry and boring to entertain. It will be anything but in the pink of health at the ticket windows. It will flop miserably at the box-office.

  • …entertaining fare for the youngsters and the class audience but only upto a point, after which the entertainment quotient goes down completely. It will, therefore, not be able to achieve much at the box-office. The start is not upto the mark and although collections will pick up in the high-end multiplexes during the weekend, business in smaller centres and single-screen cinemas will be way below the mark. Flop.

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