Infusing humor into tense scenes, he gives us a delicious thriller that you don’t want to miss.

A lot of it is unabashedly entertaining, although you’ll wish the film was shorter and smarter.

There’s much to appreciate here, but you can’t help feeling it could have been so much more.

It’s a chapter in Mumbai’s history that we’ll never forget, so a movie on the attacks should have left you more than just comfortably numb.

It’s not a film you’ll remember years from now, but you won’t be moaning and groaning through it either. The film has no intellectual pretentions; its only ambition is to offer a good time. In that, it mostly succeeds.

It’s a good cure for insomnia. Queue up for a ticket, those of you having trouble sleeping.

This is a half watchable film despite all that melodrama flying around. Sadly, if it had kept its head, this thriller could have gone places.

Vishal Bhardwaj gives us a film that’s enjoyable and relevant in equal measure. I’m going with four out of five for Matru Ki Bijlee Ka Mandola. The year’s first gem has arrived – don’t miss it!

I’m going with two out of five for director Aditya Datt’s Table No 21. Even dependable actors like Paresh Rawal and Rajeev Khandelwal sleepwalk through their roles.

What this film needed was personality and character; what it’s left with is sameness. But that’s probably enough for Salman Khan fans.