Forget the now-believable now-unbelievable story line, watch this film for the thrill of it. Even if you are not an action film fan, your adrenalin will keep pumping steadily in this 175 minutes. It is not only the stunt men who will keep you sitting upright in action sequences but a bunch of skillful trapeze artists add to the thriller quotient.

Even though the actors Manu Rishi, Manjot Singh and Anand Tiwari were pretty decent, their efforts seemed to make no difference to this half-hearted attempt of a movie. The director doesn’t explore any of the stories within the story in depth and just smugly skims on the surface, leaving the viewer absolutely uninvolved. Wish the unique concept was better utilised. A shoddy, lazy film.

The story works on different levels subtly telling us about, how each of us has gone through some or the other kind of loss and wallowing in self pity is never the solution and also how all of us can be accused of prejudging a person or a situation without really knowing the reality. And most of all, old age is not the end of life.

Shahid Kapoor , Sonakshi Sinha and Sonu Sood might have put in sincere performances but for a movie that is so awful, all their effort seems to be in vain. And yes, wish the ‘silent ho jaa nahi toh violent ho jaoonga’ threat was used on the man who scored the relentless, consistently bad and criminally loud background music.

While the first half is cheerful and breezy, in direct contrast the second half is grounded and purposeful. The climax disappoints a bit as the screenplay loses its steam and makes it all too simplistic, but even then watch this film because it attempts to talk about things that matter.

Tacky treatment, dialogues (Jayant Pawar and Vishwas Patil) filled with colouful language, and a story that belies its moral bankruptcy for the sake of tititllation, this film is cringe worthy experience.

While the first half keeps you riveted, the second half sags a bit in parts even when you are reeling under the sudden twists and turns of the script. A must watch.

Give this film a miss. Watch the original Satya again if you’re craving for a good underworld film.

…the kind of film that keeps you entertained and holding your breath because of the sheer absurdity of it all.

What seemed like a smart script, with quick-witted dialogues, falters at many levels and even starts looking foolish and falling all over itself by the time it reaches the final point. As if a good script has been attacked by a nasty virus. By the end of it, you lose count of the ‘good’ guys and the ‘bad’ guys. And after a point, you simply stop caring.