• You get the grandeur and the old-world charm that you expect from an Ali film, but unfortunately he seems to have lost touch with the finesse.

  • The film could have gone a notch or two higher, if Pulkit Samrat had gone slow on his histrionics and perhaps a tad more steady handed execution by the debut director. The script and screenplay deserved a better film.

  • What works against the film is the loud Ramsay-like horror film background music and mediocre performances by most other actors, except Rajat Kapoor and Prathamesh Parab. But do watch this film for Ajay and Tabu’s performances and of course, that one-in-a-million story. Content, after all, is the key.

  • A gutsy debut by Ghaywan, who dives deep into the subject in hand and comes up with a little gem. Sensitive writing by Varun Grover makes it more valuable.

  • Be ready to want to wolf whistle, even when you have a tear or two stealthily streaming down your cheek. Watch it.

  • It is to the director’s credit that every aspect of the film — action, mind-boggling set design and choreography — lives up to this epic film of gigantic scale. The choreography in the song that has Shiva disrobing Avantika to get her in touch with her feminine side, is an absolute gem.
    Don’t miss it.

  • After the first half an hour when the various characters are established, the film gets into a thrilling roller-coaster mode. The next two-plus hours are when you have your heart perpetually parked in your mouth, as this hapless, middle class family goes through an unimaginable fate. The watertight script (except for one or two silly flaws) and robust execution gets you caught up in the emotional whirlpool along with Suyambulingam’s family.

  • In spite of the handicaps, the film manages to largely entertain, because of its child-like naive approach and also largely due to some intermittent funny dialogues

  • Arshad Warsi puts in a decent effort, but he’s saddled with a role where he’s grossly miscast as a young bridegroom on the run. Amit Sadh is sincere. There is a spark of chemistry between Hydari and Sadh, only if it wasn’t nipped in the bud by cheesy lines. Ronit Roy is brilliant; only if he had a better character sketch he could have taken this film a notch above. If only.

  • Don’t miss this film. It is one of those precious little watches that’s capable of giving a quick bout of spring cleaning to your heart, bringing out a few uncomfortable emotions that one otherwise keeps tucked in untouched corners. And if you are lucky, you get a joyride back to your carefree, childhood days too.

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