Standing out like a sore thumb in todays crowd of smartly written scripts and performance driven films, Kaanchi struggles to make her own identity.

Enjoyable in parts, Bhootnath Returns has the right sentiment, but an over the top climax and cliched writing holds it back from being a charmer.

Despite its flaws, O Teri manages to come off as a breezy entertainer that works in the space of its genre largely because of its two lead actors.

Dishkiyaoon is more of a comeback vehicle for an actor than an earnest effort at making a good film.

A feeble attempt at remaking an interesting story, these ghosts will haunt you and I don’t mean it in a good way!

A spy flick with a bunch of cool action scenes thrown in to raise the tempo, 3 Days to Kill is strictly average.

Bewakoofiyaan had the opportunity to be smarter and funnier, unfortunately it plays it too safe to rise above the ordinary.

The film has a seen-that feel. Haven’t there been enough films about rape, corruption, poverty and drama with villains, cops and politicians. Except that this time, it is a woman unleashing the hell and another women slicing and dicing the culprits. The song and dance in a film like this, was it really necessary? It could have become a memorable film like Mirchi and Mrityudand but in trying to be commercial, the film loses it’s flavour.

Custom made for kids, this film has a few heart warming moments for grown ups too. Kids should love this one with its simple message and some colorful animation.

Pompeii is grand and lavish in visuals but poor on content.