…the film belongs to Ranveer Singh whose delicious performance is its biggest strength. The actor keeps you invested in the film even when it plods on for over two-and-a-half hours. I’m going with three out of five for the film and another half for his extraordinary performance, making it three-and-a-half out of five for Padmaavat.

Padmaavat is sparkling, extravagant, dazzling, magnificent and wonderful. It’s a feast for the eyes. It leaves you craving for something more meaningful than a mere re-telling of Jayasi’s poem. But it has enough to bedazzle you, so go for the sheen and Ranveer Singh’s lunacy. After all, Padmaavat has passed so many hurdles to reach you.

Granted, it could do with a tauter screenplay and shorter run-time but ‘Padmaavat’ is an entertaining, large canvas experience, brought to life with Sanjay Leela Bhansali’s stroke of visual brilliance.

Padmaavat is definitely worth a watch, for its scale, story-telling and stellar performances from the lead.

Watch Padmaavat for its grandiose, beauty and Ranveer Singh! This is once in a lifetime kind of film which shouldn’t be missed in theaters. A personal note for Ranveer fans, you’re in for the best treat of your life.

Without the policing and the comprises, Padmavati would’ve been a lot better film. But Padmaavat isn’t anything less. This film is rich in detail, still tells a compelling story with grit and gumption. Sure, the verdict over the jauhar bit will always be open, but the build up to that moment is all class. For a film that doesn’t have a surprise for its ending, Padmaavat still manages to create a lot of thrill. It’s a must watch!

Padmaavat is  a work of illimitable splendor. The 3D format seems quite an unnecessary grandeur-enhancement device. When we  already have  so much to savour and imbibe why hanker for  more? This is a film so inured in irradiance and so steeped in splendor you will come away from  the experience exhilarated and satiated.

This is  a movie so epic in proportion it stands tall among the great  films of all time about love and war  . In Bhansali, we have  our own David Lean.Padmavati proves it.

And that feeling of deflation you experience is what makes Padmaavat an inessential film-going exercise. While you applaud the effort, support the artists, uphold freedom of speech and expression, and turn a blind eye to the movie’s glorification of jauhar, you are left with the sentiment that there was more that could have been done with lesser, and that Bhansali’s shtick might be running its course.

Sadly, Sanjay Leela Bhansali has made a very feeble and spineless film in Padmaavat, perhaps out of the fear of Karni Sena and the Rajput community. One can only wonder what this movie would have been had Bhansali got the right to fully exercise his creative freedom?

Sanjay Leela Bhansali’s latest offering may be titled Padmaavat but it’s Ranveer Singh’s show all the way. He plunges deep into the sea of evilness to bring the ‘monster’ to life for ‘ek jung husn ke naam’. It may be a doomed love-story for him in the film but Ranveer, you are truly ‘Sultan-E-Hind’ when it comes to capturing our hearts with your bravura performance

This film is a true tribute to the Rajput pride, their values are princely and though Alauddin Khilji wins the battle by betrayal, he loses the war of his life. Because at the end, the dignified Rajput valour shines brightly. Give it a thorough watch for the stellar performance from the entire cast. 

But lock, stock, barrel and more, the film belongs to that powerhouse actor, Ranveer Singh. He OWNS the film on-screen as much as Bhansali does behind the screen. You loathe his essay of Khilji, look at him with renewed respect as an actor who is less than eight years around but has the rare capacity to bring to life such a deeply evil character. Eyes, body language, smiles or tenor, he proves that dedicated actors can go beyond the vision of a script or even of a passionate director.