You cozy yourself in the chair, expecting to be entertained. And that is exactly what Sajid does and manages to maintain the momentum throughout the first half. But what really brings all his hard work apart is his eagerness to throw more twists and turns into the already well-twisted plot.

JOLLY LLB for Oscars may seem far-fetched within the industry big-wigs who prefer big names with far poorer content (EKLAVYA, BARFI!). But if this movie is favored, believe me; our judicial system will be fast-tracked and feared like in the west.

Personally, I expected more from Tigmanshu. That he managed to pull all back within the last 20 minutes speaks volumes about his genius. He is one of our best filmmakers today.

KAI PO CHE is poetry in motion. After ROCK ON, Abhishek Kapoor has reminded us yet again, what a master story-teller he is.

Nevertheless, get set for a delightful ride in SPECIAL 26. The music pounding in the background transcends you to the 80s.

…is for everyone who has the time to look beyond the needs of self.

The film helps one understand the complete crumbling of intelligence and the state of our policemen on beat, most with just laathis. One scene at the Leopold Cafe highlights this with two cops lobbing stones into the cafe after the terrorists have moved on. They have just their laathis with them. A stark display of how unarmed and vulnerable our policemen are.

This is a relevant film for parents and youngsters. It deals with a very complex situation, does not give you any answers and towards the end, sends you home allowing you to form your own views.

All in all, this is one entertainer. Don’t go looking for flaws, just enjoy, DABANGG style.

Don’t miss it.