…a Diwali cracker that goes phus. It’s an archaic story told in an archaic manner. Sooraj Barjatya takes 174 minutes to tell you this tale that has no meat, no soul, nor a proper push forward. By the time it gets over, you have gathered enough aches as you keep adjusting yourself in the seat.

A decent watch, but movies with a theme like this has passed their shelf life. In the 90s these types of films were a staple Bollywood diet; today tastes have changed.

…had the potential of being a classic, but ends up way below average.

I sat through this two hour ten minutes nonsense which unfolded on screen, and this much I can say…. It’s not worth reviewing.

Main Aur Charles is a big yawn!

TITLI is dark, grim and disturbingly scary. The best part is that director Kanu Behl stays true to the genre, never once veering away from the intended impact he wanted to have on the audience.

This is neither Shaandaar nor zabardast. It’s just fluff!

…a smartly done nonstop fun that assures satisfaction to its followers – today’s teens and yesterday’s teens. Go for it.

…is a well-made film true to its genre. It has a message and it has a motive!

TALVAR is not breakthrough cinema. Neither is it exciting or informative. In fact, it leaves a bad taste in the mouth as most in India have seen ad nauseam on national television the ‘live’ findings of the double murder on a daily basis when the murder rocked the nation in 2008. Same is happening now in the Sheena Bora murder case.

I feel the industry could have spared Aarushi and her parents this embarrassment.