Sashidhar Adivi
Filmfare
Most Divergent Takes
- Korean Kanakaraju (2026)6.0 vs TRM 5.0+1.0
- Peddi (2026)6.0 vs TRM 5.3+0.7
- The Raja Saab (2026)5.0 vs TRM 4.3+0.7
- Nagabandham (2026)5.0 vs TRM 4.4+0.6
- Maa Inti Bangaram (2026)5.0 vs TRM 5.6-0.6

Nagabandham
2026 · Filmfare
The supernatural-devotional elements keep the boat afloat, but the film is weighed down by subpar writing. While weak visual effects, uninspired action choreography, and underwhelming writing hold it back, its supernatural and devotional themes lend the film enough intrigue to remain watchable.

Korean Kanakaraju
2026 · Filmfare
Korean Kanakaraju blends familiar Tollywood commercial tropes with stylised cross-border action and supernatural comedy. It thrives on its inventive ghost-comedy mechanics and delivers a reasonably entertaining theatrical experience.

Irumudi
2026 · Filmfare
Irumudi is a solid, intense drama elevated by Ravi Teja's restrained performance and a convincing father-daughter bond. But predictable villains and uneven emotional beats prevent it from becoming as powerful or shattering as it could have been.

Vishwanath & Sons
2026 · Filmfare
Vishwanath And Sons is ultimately a thoughtful character-driven drama enriched by romance, family dynamics and charming interactions. Yet Venky Atluri's mature writing and the committed performances, particularly from Suriya and Mamitha Baiju, make it a refreshing watch. At a time when the theatrical landscape is increasingly crowded with loud, mindless action spectacles, Vishwanath And Sons arrives like a welcome breath of fresh air.

Maa Inti Bangaram
2026 · Filmfare
Samantha Ruth Prabhu shoulders a film that has more box-office potential than its predictable narrative suggests. While the first half is filled with clean comedy and revolves around family drama, the second half unfolds in an expected and tedious manner, diluting the essence of the narrative.

Rao Bahadur
2026 · Filmfare
Rao Bahadur features a fascinating central character, brought to life by an excellent Satyadev, and offers thoughtful commentary on class privilege and ancestral pride. However, its sluggish pacing, theatrical dialogue, oversimplified psychological lens and tonally uneven climax prevent it from fully realising its rich potential.

Sing Geetham
2026 · Filmfare
Sing Geetham is a refreshingly unique musical comedy that blends environmental consciousness with a whimsical, Chandamama-like fantasy. While the film does not fully exploit the surreal possibilities of its fascinating premise, its sincerity, originality, and musical spirit make it a pleasant and worthwhile watch.

Peddi
2026 · Filmfare
Peddi is an honest effort from both actor and director, but it struggles under the weight of weak character arcs, an undercooked supporting cast and a central theme that never quite receives the treatment it deserves. Ram Charan, however, delivers the kind of performance that can elevate a career's trajectory.

The Raja Saab
2026 · Filmfare
While The Raja Saab attempts to blend mystery, horror, and humour, it works only in parts. Given Prabhas's stature and past performances, the film ultimately turns out to be a letdown.

Mana Shankara Vara Prasad Garu
2026 · Filmfare
While the security subplot in this movie feels dated and the second half loses momentum due to a monotonous villain arc, the film is eventually anchored by Chiranjeevi's charisma and Anil Ravipudi's brand of humour. It may not reinvent storytelling, but it brings Chiranjeevi back to familiar cinematic territory, one where he is at ease, flamboyant, and undeniably entertaining.

Anaganaga Oka Raju
2026 · Filmfare
Anaganaga Oka Raju is a crackling entertainer that thrives on Naveen Polishetty's impeccable comic timing and infectious energy. While the premise is well-worn, it gets a contemporary touch thanks to Polishetty's biting satire and self-aware humour.

Akhanda 2: Thaandavam
2025 · Filmfare
Akhanda 2 has high-octane action sequences but falters from underwhelming writing and patriotic fervor. Fundamentally, this film suffers from underwhelming writing. The film treats logic like how China treats its dissenters.