• Through the movie, the friends keep asking each other, ‘What the hell is this?’ as they stumble upon something or the other on the road. Really. What the hell is this?

  • Lazy script, mediocre bordering on silly dialogues and shoddy editing makes this one sadly a boring affair. A woman-centric film is always welcome but there really is no point if the film falters badly at the execution and ends up being just another lacklustre film.

  • Actually, the premise of this movie had potential. Two selfish and materialistic people suddenly find passion so strong that they can’t keep their hands off each other and everything else starts taking a backseat. But unfortunately, the execution (director Navneet Behal) is terribly sketchy and immature.

  • The big drawback of the film, however, is its pace. While one understands the need to go slow for the love story to develop, the film would have held the curiosity and attention longer if it moved faster as today’s audience is far less patient than those that loved and revered films like Ek Duuje Ke Liye and the likes from the 80s. Do watch if you are an incurable romantic and are looking for something other than the usual fare.

  • As you watch the beauty of the valley wide-eyed, you can almost smell the Gulmohar in the air and touch the icy waters of Jhelum.The second half dips a bit before it picks up again with an unforgettable climax. Please watch this film. It has chutzpah (Haider’s favourite word for obvious reasons) and a lot of soul too.

  • I am sure someone came up with a ‘meinu ek film chahiye’ thought in a post chicken tikka-dinner lethargy and this is what came out of it. Wish he had dozed off instead.

  • It isn’t really a smart script when one can predict the climax just half an hour into the film. The age-old formula of introducing Bhagavad Gita, among other things, to fight the ghosts makes it regressive and lazy too.

  • ‘Charfutiya Chhokare’ has good intentions. But alas, that’s about it. Unfortunately, this film is too jerky and amateurish for anyone to take it seriously, even if they want to…

  • The premise is promising and the intention is right. In a country where dowry is still a huge social malaise (the stats shown in the beginning of the film tell us that even now every hour, one woman in the country is killed for dowry), this film attempts to present the serious cause on an entertaining platter.

  • Fairy tales are fantasies served with candyfloss. ‘Khoobsurat’ aims to be just that, only it is less creative fantasy and dripping more of sugary syrup. Watch it once if you love rom-coms or better still, if you are a Fawad Khan fan.

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