• The first half of Zubaan plays out like with a soap opera, with heightened performances and extreme situations. It isn’t until much later that the protagonist’s modus operandi is established.

    The narrative moves with greater energy and conviction in the post-interval portions. Zubaan is about aspiration, ambition and the dark direction life can take. It’s also about self-confidence, taking chances and swimming against the tide.

  • A showcase for the towering talents of Blanchett and Mara, Carol is a sumptuous watch. Blanchett’s coldness and occasional aloofness are offset against Mara’s portrayal of Therese, who is vulnerable at times, displaying controlled devotion at others, and occasionally wide-eyed at her own unfettered self-discovery.

  • Trumbo provides a snapshot of what was clearly a very dark time in Hollywood and American history, but it stays a bit thin on the ground.

  • Director Tim Miller and screenwriters Rhett Reese and Paul Wernick turn the superhero formula sideways. Deadpool advocates murder and revenge. When guns fire, brains splatter. This is no cutesy, do-gooder superhero for kids. Deadpool is the antihero and he loves it.

  • Sappy and corny, The Choice will either make you bawl your eyes out or dull you into a coma.

  • This is a by-the-book disaster-rescue saga with elevated moments of drama. The ocean scenes leave you feeling a little bit seasick, but in awe of the bravery of these men. The 3D is perfunctory.

  • The emotional core is also intact and compensates for the shrill supporting cast and tacky CGI. Deol is sincere and still evokes whistles when he lets loose his right hook. Fans of the Deol brand of action won’t be disappointed.

  • When the twist ending comes, it is so shoddily executed and so unoriginal that The Boy degrades into a spoof. This is one for genre-fans only.

  • There is plenty of drama and suspense in this true-life story, but the screenplay relies too heavily on formula and is swathed in Hollywood sentimentality. The performances are uneven, while some actors are simply miscast.

  • It all comes together nicely as the actors breathe vulnerability, fallibility and personality into their roles, with Daisy Ridley being quite the commanding presence. My favourite, hands down, is the cute and rotund droid BB-8.

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