• With its lame script and tiresome gags, you’ll forget Singh Is Bliing within seconds of leaving the cinema.

  • Peter Bogdanovich’s romantic situational comedy is a blend of the conversational sparkle mastered by Woody Allen, the texture of Wes Anderson’s quirky characterization and a throwback to the Hollywood films of the 1930s and 1940s. She’s Funny That Way is similar to Bogdanovich’s earlier works, like Noises Off and Paper Moon, in its theatricality.

  • Ketan Mehta’s absorbing biopic of Dashrath Manjhi is powered by an intense performance by Nawazuddin Siddiqui.

  • Shaun the Sheep has a fun story that subtly extols the virtues of a simple life and appreciating what you have rather than craving the greener grass on the other side. It also touches on themes of loyalty and compassion. A heartwarming, fun, smart experience is kneaded into a simple, delightful and insightful story.

  • On paper, the story of Gour Hari Das is compelling and moving. The film does not capture all this adequately. It’s repetitive and reverential, painting the protagonist with one brushstroke—as a saintly, deserving Gandhian.

  • ‘Brothers’ is a melodramatic remake that is high on style, low on subtlety…

  • There was surely a good idea in Bangistan at some point but sadly Karan Anshuman’s directorial debut takes no risks. With over-designed sound, juvenile lyrics, obvious in-film references to other films and filmmakers and a weak lead actor in Samrat, the result is a film devoid of subtlety, layers and wit.

  • It takes a little getting used to seeing the cute and hungry Pac-Man attacking Washington, DC and accepting the lazy special effects and plot points. The film catalogues the worst set of performances seen in a while, particularly Dinklage’s accent and Gad’s pubescent antics.

  • While this Sherlock Holmes relies on memory rather than the elementary powers of deduction to recast the case, it also proves to be a journey where he comes to terms with his own loneliness and mortality.

  • Amy is not just a study of the tragic life of a talented and misdirected young woman and a record of the Grammy-winning artist and her journey. It is also a thesis on the darker side of celebrity, fame and addiction. As one music professional says, “In our business, nothing can prepare you for that level of success.”

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