It is a sex comedy, so there are plenty of references to sex (and luscious women) and there is comedy. There are several laugh-out-loud moments and the director and the scriptwriter manage to keep you hooked throughout. However, the script falters at the end when a climax is stretched much beyond its limit, thus testing the patience of the audience.

The movie is all style and very little soul. And that’s a disappointment as it attempted to tell a really fascinating story of a mastermind. But do watch it, if only for Hooda.

A great story (Sharad Katariya, Kanu Behl), good editing (Namrata Rao) and uncompromising execution makes this a film not to be missed.

The story lacks imagination, the screenplay is shoddy and the dialogues unfunny. Some humour goes unlaughed at and rest goes undigested. For instance, there’s a scene where it is hinted that a respected business magazine takes money to put people on their covers, and another one when a young lad sets his grandma on fire.

If you are expecting novelty, go to the next screen. With ‘Wedding Pullav’, all you get is predictability mixed with unpalatable execution. With no distinct taste or flavour, this film makes for a huge disappointment – an indigestible pullav

It’s a fun, one-time watch. And to its credit, it is straight, simple and clear about its intentions, unlike a few ‘modern’ ones that begin on a woman-friendly note, but actually end up belittling them.

If only Gupta had gone a little easy on the unnecessary and intrusive melodrama. Even then, it’s a good one time watch for sure.

Vishal Bhardwaj’s tight screenplay, great casting and Meghna Gulzar’s slick-yet-with-an-emotional-undercurrent handling of the material in hand, makes this an immensely watchable film. Even though rather skewed towards their point of view.

This is an out and out Akshay Kumar film. No surprise there. And the actor, whose comic timing is already established, is in his element here. Amy Jackson’s easy and very pleasant presence adds to the film. She is fantastic when she’s kicking ass and other body parts of bad men who cross her path. This is a fun, one-time watch.

What worked for Bhandarkar in 2005 in ‘Page 3’ can obviously not work in 2015 because he is unimaginatively and rather cockily serving us the same dish in a different plate.