Everything is predictable. These are new faces, and yet everything they do smacks of staleness. Overused themes can be infused with freshness only if the treatment is right: here, all elements are borrowed from older films and used so clunkily as to extinguish all freshness.

Even at a very superficial level, the basic narrative comes across as highly uninspired, unimaginative and of course mundane.
This problem is magnified even further courtesy some lazy and half-baked writing. The screenplay, which has been written by Pooja Verma, is cliched and extremely predictable. In fact, at no point does it offer anything even remotely fresh or different.

Wedding Pullav is badly cooked. Dig into it at your own risk.

…seems like a never-ending wedding video of an acquaintance, you feel nothing for. It’s loaded with mandatory party/ wedding songs, honeymoon jokes, friendly banter, mummiji’s drama, et al. What the film lacks is heart and scrumptious food!

The film’s poor script and screenplay, doubled up with sloppy editing lands up making a ‘khichdi’ of the dish called ‘WEDDING PULLAV’. On the whole, WEDDING PULLAV is a dish that is best avoided as it is bound to leave a bad taste.

…is not only banal but it’s tiresomely boring cause it fails to get the audience to identify, like, sympathize with the lead characters…

If you are expecting novelty, go to the next screen. With ‘Wedding Pullav’, all you get is predictability mixed with unpalatable execution. With no distinct taste or flavour, this film makes for a huge disappointment – an indigestible pullav

Humour is forced and the dialogues are shallow, frivolous and lacks class. The classification of the families too, seem grossly mismatched making the entire Pullav hackneyed and difficult to digest.

The movie has nothing good or new to survive in the box office race.

Pullav is a delectable preparation, but this one will result in an upset stomach. Go for khichdi instead.