Karwaan is aiming for an easy, offhand charm, and we get that only in bits and pieces, especially when Irrfan hits his stride on occasion, or when Dulquer proves just how good he can be by not doing much at all.
If the story had more depth, these three could have worked magic. But Karwaan stays on the surface. Which, it must be said, is beautiful – this film will make you want to book a trip to Kerala. But it could have been much more.
By talking about the hardships of his life, and his unstoppable survival instinct, it is almost as if Shaukat is mocking death, taunting it for being a weak opponent. It is, of course, a cruel twist of fate that this line has taken on new meaning in light of recent events. But there’s strength to be derived from Shaukat’s words, and he’d be the first one to boast that they’re almost poetic, wouldn’t you say?
Detours and stopovers to cancelled weddings, random goons, Mere Mehboob-style coy romances, run-ins with exes and premature exchange of opinions, personal life and preconceptions make Karwaan wander off in a medley of much ado about nothing.As a consequence the more we look at them, the more out of sight they grow.After all that running around, the life lessons it ultimately imparts only show the makers's inability by resorting to the same old soppy idea of closure it so desperately seeks to break away from.
Karwaan might not be the roller coaster ride you expected it to be, but it leaves you with a warm fuzzy feeling in the heart that says all’s well that ends well.
All said and done, Karwaan will be remembered only for Irrfan Khan & his unbelievable dialogue delivery. Go with low expectations & be prepared to get entertained in parts.
Director Akarsh Khurana manages to get some interesting characters other than the main leads who keep you invested in this tale. The music has the right breezy feel to it which adds just the right amount of zing to this slice of life tale.Watch ‘Karwaan’ for Irrfan and Dulquer, this one will keep you smiling much after you have left the theatre.
For every sequence Irrfan is not on screen, you notice, the film suffers. Think you can say that for films in general — for all the time, for health reasons, he's been compelled to stay away. This will make you want him back even more.
At one point, a character in this film explains that he is not sure whether Person X was a good guy but it is clear that he was not bad, which in itself is quite something in this day and age. There can be no more appropriate a description of Karwaan: it is not earth shattering, but it is not bad at all. Which is another way of saying it is an intelligent, funny, thoughtful film and a pleasant experience.
Karwaan is an entertaining fare but only for the classes and city audiences. Its collections will pick up in the premium multiplexes of the cities due to positive word of mouth but the dull start will tell on the ultimate business because films like these do not have the power to sustain in the cinemas for too long.
The locations are beautiful and the idea of finding oneself after a parent dies is good too. But the stink from the dead body permeated the film. You will enjoy it should you leave your brains (and your olfactory senses) behind!
The film has a very strong first half, where you won’t be able to stop laughing, but the second half takes a long pause, ponders, reflects and becomes almost pensive. Karwaan is certainly worth a watch for it’s funny first half. And if it’s not the story that you are in for, catch it for the brilliance that is Irrfan Khan.
Karwaan has much that is wrong with it. But it also has plenty that pleases, a warmth and an empathy for the misfits that makes it a very endearing road trip, albeit with irrelevant deviations.
Even as the film makes you laugh uproariously, it gives some bittersweet insights into life in its own whimsical way.
Karwaan is a refreshing sip for the parched soul with its relatable characters and their journey of self-discovery. This trip is not to be missed! To quote Michelle Sandlin - 'There's no greater journey than the one you must take to discover all the mysteries that lies within you.'
Karwaan is a film that deals with dealing grief and life at large. It's a film on existentialism. It's a slice of life served with enough delicious toppings. Bite into it!
Audience Reviews for Karwaan
Karwaan had the potential to be a great meditative film
Karwaan, a film by Akarsh Khurana, is a road trip with difference. Here, three individuals, who are different from one another, happen to travel together with a purpose. How the journey helps them to undergo the process of self-discovery and acceptance forms the story. The plus point of the film is the combination of two most effortless actors - Irrfan Khan and South Indian heartthrob Dulquer Salman. In fact the concept of the film is also nice that how one's life itself is an ongoing process of constant self-discovery, exploration, acceptance, change etc. The film also focuses on how important it is to be tolerant towards others' perceptions too. The minus point of the film is that in an effort to treat the concept unconventionally, the film takes a very subtle tone throughout, the screenplay has tremendous scope of improvement. It is a likeable film.
Dulquer makes his debut in Hindi films through Karwaan. He plays the character of Avinash representing those people, who left their passion behind by succumbing to the authority figures of their lives. He always wanted to be a photographer, but yielded to his father's command to be employed with IT Company in Bengaluru. Avinash is dispassionately living his job and life. He feels that his father is responsible for this unhappy choice which he had to make in his life. One day, he gets the news of his father's death in an accident.
He contacts Shaukat (brilliantly played by Irrfan Khan) to help him with a vehicle to fetch his father's body. Shaukat decides to join Avinash to fetch his father's body. Shaukat’s van has Majrooh Sultanpuri’s shayri written on it:
मैं अकेला ही चला था जानिब-ए-मंज़िल मगर
लोग साथ आते गए और कारवाँ बनता गया I
Wrong corpse is given to Avinash. On enquiry, he comes to know that his father’s body has got exchanged with Tahira (Amla)’s mother (Cochin). Tanya (Mithila Palkar), the grand-daughter joins Avinash and Shaukat and that is how Karwaan begins. Tanya represents the youth who does not believe in any rights and wrongs, and not at all apologetic for her relationship. She lives her life like a free spirit who chooses to live life on her own terms and conditions.
All the three characters are different from one another but the commonality between them is that all of them are emotional and sensitive in their own manners. What do Shaukat, Avinash and Tanya discover about self during this journey, and which aspects of their personality get exposed to the viewers? This Karwaan turns out to be functional for them or not? Do they realize, how they want to handle their lives ? Do they learn the art of forgiveness and tolerance?
About the cast, Irrfan is superb. He is an acting school by himself who carries the role with so much ease. His spontaneity in delivering the dialogues is very nice. Wish him speedy recovery from the dreaded disease. Dulquer who is known for his screen presence and effortless acting in the south is absolutely comfortable in the skin of Avinash.
Karwaan plays out like a fairytale of sorts where the forgiving characters go about on a journey that does not disclose any logistical parameters neither sheds light into what matters. It dances on the periphery and strives to add comedy to everything, even death, which is counter-productive to what it sets out to be. The performance, comedy, and the overall positive vibe earn it four stars, but as a road movie, it still is a middle-bencher. TN.