In the end it is Bhansali – credited for screenplay, editing, music, and direction – who leaves his stamp all over the film. He brings great style and aesthetic to an unapologetically commercial film, which I’m happy to say is far more engaging than the lazy blockbusters we’ve seen lately. It’s great fun – not the word you’d normally associate with a Sanjay Leela Bhansali film.

However, it’s Deepika Padukone whom the film belongs to. Looking drop dead gorgeous and going at her part with a wallop, she’s the prime asset of ‘Ram-Leela’. Eminently worth a dekko.

Deepika and Ranveer make Goliyon Ki Raasleela Ram-leela worth watching.

What new can a filmmaker do with William Shakespeare’s classic love story Romeo and Juliet? The answer is, if you are Sanjay Leela Bhansali, who is technically sound and artistically astute as far as art and craft go, you just become impudent, set the story in Gujarat, sign Bollywood’s currently best actress Deepika Padukone (Leela), team her up with `I’ve-got-fire-in-my-loins’ actor Ranveer Singh (Ram) and then let them loose on one another

This is a film by a true romantic, who is brimming with crazy passion. If you share that with him, watch it.

It’s well hyped and still surpasses all expectations. For me Goliyon Ki Rasleela Ram Leela is a masterpiece!

Sanjay Leela Bhansali still masters his marvel at making magical films. Picking up an unoriginal and much beaten about idea, he mystically tweaks out a work of genius. Indefatigable and supremely engaging, the film despite its ostentatious feel is at core a fierce love story enacted effectively by Ranveer and Deepika. Putting up an astonishingly prodigious chemistry, the duo pull through the film with might. Cinema should be a fulfilling experience like this!

At a run time of two-hours-forty minutes Ram-Leela could get a bit laborious but you can surpass that because Bhansali comes forth with a love story that is enthralling, sparkling and compelling but not self-indulgent like Saawariya.

…ought to be watched for multiple reasons: the electrifying chemistry between its lead actors, the strong dramatic content, the scintillating musical score, the violent streak in the narrative and of course, Sanjay Leela Bhansali’s execution of the material. This is Sanjay Leela Bhansali’s most accomplished work to date. It’s a work of outstanding artistry. No two opinions about it. A masterpiece by the master craftsman Sanjay Leela Bhansali!

…is visually spectacular but the love story makes little impression.

While the first half keeps you riveted, the second half sags a bit in parts even when you are reeling under the sudden twists and turns of the script. A must watch.

…is yet another SLB creation, replete with opulence and grandeur. For all its hype, grandeur, money, blood, sweat, music, tragedy, Ram Leela is worth a watch.

… has brilliance written all over it. One of Sanjay Leela Bhansali’s finest. Yes, there are flaws but it isn’t said for no reason that imperfections make a thing more real.

Overall, the film is first-rate as it brings down the curtain with a universal message of peace and love.

You may watch the film if you love larger than life moments.

An Indianized-version of the Shakespearean classic infused with Sanjay Leela Bhansali’s keen sense of Art & Aesthetics.

…after Saawariya and Guzaarish, this film marks Bhansali’s return to form. Ram-Leela establishes that Bhansali’s best comes out when he’s free of ostentatious pursuits and left to narrate a story with vigour, like he did with Hum Dil De Chuke Sanam earlier. It’s only half the battle, though. Next time, hopefully, the script too will match up to the director’s grandiose vision.

You won’t come out of the theatre texting your friends that it’s a must-see film. But it’s a film where you can enjoy the imagery, the intensity, performances and chemistry, and forgive the excesses. A frilly good watch!

From love at first sight to till-death-do-us-part style, crazy love via the banter and misunderstandings that any relationship goes through – Ram-Leela has it all, in gorgeous frames, amongst lots of song and dance. That also makes it predictable, long and over-dramatized.

Sanjay Leela Bhansali is back. Taking a break from producing uncharacteristic bilge like Rowdy Rathore, he storms the helm again to have a go at what he knows best – using Bollywood elements like song, dance, larger-than life heroes and their epic love affairs -and attempting to redefine the form of Hindi movies and telling them in his own auteur style.