Lousy special effects and the language of certain characters are a few things that warp the authentic feel of the movie. Yet, somehow Rustom doesn’t falter, except when you realise the movie two and a half hours long.

Akshay Kumar impresses but the movie has its issues…His nuanced characterisation and flawless body language save the film which otherwise could have gone horribly wrong.

Despite its multiple flaws, Rustom can be watched for Akshay Kumar, whose action/comic brilliance often overshadows his acting prowess. He reminds you to value the honest officers who serve our country with dignity and valour. He makes you want to support the man who probably did the right thing the wrong way.

Thoroughly absorbing and surprisingly entertaining., check it out.

The problem with Rustom lies in its twists too. You can put your finger on them much before the twists actually play out in front of you, something which is fatal for a ‘crime thriller’. Rustom plays to the gallery, eliciting cheers and applause from the audience who want to see their hero reinstated as a hero.

Rustom is a one-time watch. For those who just want to catch a flick without its relation to Nanavati case, it makes up for a decent watch. I plead guilty that I suggest this film!

RUSTOM comes across as a well crafted crime thriller that meets expectations. It has its share of captivating moments as well as the loose ones. At the Box-Office, competition in the form of MOHENJO DARO will limit its potential. However, the holiday period post the weekend and positive word of mouth will prove beneficial for the movie.

‘Rustom’ should have either been a taut mystery where the tension is palpable or a love story where the heartbreak and the betrayal are tangible. Sadly, this does neither.

The movie employs a lot of CGI to recreate an authentic period feel. That coupled with the entertainment value does make Rustom a decent watch. But the fact that the film makes no mention of Nanavati’s subsequent trial and conviction by the Bombay High Court is a bit of a grey area. But for all its diversions from authenticity, end of the day, Rustom manages to entertain. That’s the film’s closing statement.

Though Akshay Kuamr fans will be awed and the theatres especially the single screen may burst with taalis and citis (claps and whistles), the thinking audience may wonder the need for the exercise to make Rustom Pavri so noble.

With some tight editing, especially in the second half when the court scenes become a drag, it would have made for a more riveting watch. A great deal of attention has been paid to the detailing and production values, and that’s commendable, and so is the direction.

Tinu has made ‘Rustom’ more thrilling and interesting by keeping it on the track and not adding any unneeded garnishing. Without-a-doubt, the film will make you switch sides. Just like the on-screen jury, even you will argue with yourself whether ‘Rustom’ is guilty or not. If you want to test your decision-making abilities, then definitely go for this flick.

Rustom is not a bad film in essence, however a little more conviction in the narrative could have made it one of the best courtroom dramas of all time. Watch it purely for Akshay Kumar or watch it if you want to know the basic skeleton of the Nanavati case (if you are too lazy to read its Wikipedia page).

Overall, given the subject, Rustom could have been more taut and thrilling, but, Akshay Kumar makes it worth watching.

Rustom is a compelling courtroom drama, something which will help Akshay Kumar in his upcoming Jolly LLB 2 where he will be playing a lawyer.
Akshay Kumar has truly delivered an award-winning and nuanced performance. Watch the film for him!

It’s not a serious movie; there is definitely ‘masala’ in this suspense thriller. The movie will take you on a rollercoaster ride of emotions. Lift your spirits on this Independence Day with Rustom! Believe us, you won’t regret a bit.

Rustom is an strange mix of funny and dull but it is never as gluing one would’ve hoped.

Decent Thriller Bogged Down by Weak Script…

Being a period film, the director’s attention to detail right from the vintage cars to the old and discoloured light-switches inside Rustom’s home are a testament that the filmmakers have done their homework.
The films trudges at a decent pace hampered only by the needless songs none of which are hummable. In certain scenes, the humour does come across as contrived but overall Rustom is unadulterated storytelling sans melodrama.