It’s consistently engaging, but doesn’t get under your skin like some of Kashyap’s other films, particularly Black Friday,Gangs of Wasseypur, and the criminally overlooked Ugly.

No Bollywood-style revenge or anger, just pure sadism. Ramanna’s purity, despite his cruelty is spine-chilling, especially when juxtaposed with Raghavan’s uncontrolled violence.

Extending Kashyap’s continuing probe into the horrors of dehumanisation, Raman Raghav 2.0 dives deeper into the cesspit than any of the director’s earlier films – to deliver a dystopian study that is at once fascinating and nauseating.

Don’t miss this scary and unapologetically sadistic movie where Nawaz is at his creepiest best.

Raman Raghav 2.0 is another triumph for Anurag Kashyap. It sure is not a Gangs of Wasseypur, but the filmmaker knows what to do with his viewers. Shocking people, disturbing them, stirring them come naturally to this man as killing comes to Ramanna. Watch the film. ‘Sa-prem’!

It’s hard to imagine what Raman Raghav 2.0 could have been had it been made by a different director. It’s a film that utterly suits the style of Anurag Kashyap; yet he fails to create a captivating experience. This ends up making Nawazuddin Siddiqui the saving grace in the end, and he handles this responsibility like a boss. Raman Raghav 2.0 is to be watched if you wish to dive into the convoluted mind of a serial killer. If you’re not interested in that, you can give this one a miss.

While this is a compelling story, there are just too many loopholes in this thriller to keep it gripping throughout its runtime. For once, it seemed that Anurag Kashyap was more caught up with the stylistic elements than with the actual narrative in this story.

Those looking for a dark, de noire, and grisly time on screen with a twist in inhumanity powered by Nawazuddin Siddiqui’s topnotch performance. RAMAN RAGHAV 2.0 makes the kill. Hit it.

It is dark, very dark and deprived of even a shred of dignity. It makes you feel nauseated at the shocking spread of depravity served to you. But then again, it is unique storytelling. Go for it, if you have the suitable palate.

This is film that doesn’t flinch from the fearful ugliness of existence. It’s also a brutal and haunting reminder of how rapidly the lines dividing the law-makers and law-breakers are disappearing. ‘Raman’ and ‘Raghav’ are no  longer the archetypal Villain and Hero that we sought in our cinema for moral comfort. They are now the best of friends and our worst of enemies.

Anurag Kashyap delivers a gritty, grimy, gut-wrenching story of opposites in order to tell you that they’re not really so. Takes a while to come to the point, but you understand why it is so difficult to edit out stuff that is so deliciously dark. The opposites played by Vicky Kaushal and Nawazuddin Siddiqui are so equally ugly, you know the director has made his point when you cannot swallow popcorn.

Raman Raghav 2.0 is not for everyone but if you are a fan of Anurag Kashyap’s brazen style of story-telling, you might forgive the predictable second half and still come out happy! It falters, but Nawazuddin Siddiqui makes it worth your time.

No filmmaker I know has managed to bring to life the filth, the underbelly, and, yes there is no other word, the sheer grime, of India on to the screen as Anurag Kashyap has (right from Paanch, down to Ugly). Indeed his contribution to films over the past couple of years (or even in the long-run) far exceeds his work as director. Is this even close to his best? Nope, perhaps because there is, in that sense, hardly anything new. Does it jolt you still? Hugely, for the most part.

Raman Raghav 2.0 is a cleverly crafted and compelling film.

Indian slasher films (the few that have managed to be produced) have been typical fare: solely focusing on the act and the investigation that leads to the capture of the offender. But Raman Raghav 2.0 offers access to the dark mental alleys of its troubled hero, so much so that his parallel world and sick mind achieve a twisted logic. This one’s certainly not a date film. But hey, a jolty squeeze on the upper arm can do much for your love life.

These sort of films aren’t exactly evergreen material. The content, we mean. Crime films, dark films, disturbing films are watched often, but the deal is that the audience needs a certain novelty in presentation. You could call it shock value if there’s emphasis on the negativity, but the idea really is to give the audience a sense of seeing something they’ve not seen before.

At times it can feel as if you are being bludgeoned. But Kashyap’s thriller will keep you glued to your seat in spite of an expected end.

Both Kaushal and Dhulipala come up with brilliant performances, but it is truly Siddiqui who steals the show.

Raman Raghav 2.0, is a must watch as this kind of dark psychotic film comes very rarely in Bollywood. The film is brilliantly made and the actors performances are excellent. They can scare the living hell out of you. If you like dark movies you should surely watch this, but if you like only romantic films and are weak hearted, give this a miss!

Now, for Kashyap’s fans, this is totally his type of a film and if you missed watching his disturbing yet so real dramas, do not miss this one. However, there are a few of us who watch films like these with half of their faces covered with their hands, well, we too wouldn’t regret watching it. But this one is a serious no no for the faint hearted ones.

The violent scenes are spooky enough to haunt your thoughts and run through your mind for many days to come.