The trouble with Rajkummar Rao's Trapped is that it is uneven. There are not enough genuinely scary heart-in-mouth moments. His despair stays on the surface when we want to see the soul.
Vikramaditya Motwane's ingenuous new film, Trapped, exploits this detachedness the city gets off on, simply by taking the island metaphor further
Trapped is a defining film for Motwane who has become braver in using small spaces and silence. It’s the beginning of a style that we must see in his next films.
Trapped breaks the barrier for winning hearts with its content. It is so difficult for the reviewer to find a flaw. Overall, Trapped is a brilliant film with a crisp narrative that will keep you glued till the last frame.
Trapped mocks the invincibility we assume to have acquired as residents of this magical city by painting Mumbai as a distant, dark and depressing land taken over by concrete zombies. Where everything that one craves in Mumbai -- space, privacy, view, trees or people minding their own business -- seem like a curse.Trapped is not an easy film to stomach.
...given the nature of the story, ‘Trapped’ does test your patience after a while. You also doubt the protagonist’s intelligence and sanity. Why would you rent a flat from a dubious agent, in an empty building? A few occurrences seem implausible. How come even fire doesn’t draw any attention? Nonetheless, the mounting tension makes you overlook these flaws and a bloated run time. ‘SH** happens’!
“Trapped” is one of those films taken to another level only on the strength of a powerhouse performance, and Rajkummar Rao will be remembered for this one for a long, long time.
The runtime of the film works in its favour. In less than 2 hours, your patience levels are fine. The absence of songs makes sure the pace of Trapped is not hampered.Watch Trapped this week. Be thankful that you have the option of opening a door and getting out. And make sure you double-check the locks before that door shuts and you're, well, you know.
Trapped promises a brilliant performance by Rajkummar Rao. This engaging tale is not everyone’s cup of tea. Watch it for the love of survival dramas.
Vikramaditya Motwane could have refrained from the Castaway inspired romantic conflict in the third act. While it doesn’t make the film any less effective, the same situation could’ve been used to convey grittier emotions. But the few inconsequential slip ups aside, Trapped is a film that pulls you into the void of fear and despair with remarkable ease. It’s a thriller compels you to think, analyse and pray. This is an intimate affair with the scarier prospects of a lonesome life in a big city. Insightful and effective, Trapped is a must watch for all movie buffs.
Certainly not for the weak hearted, weak stomachs and entertainment hungry souls of Bollywood, TRAPPED is a triumph in Bollywood's claustrophobic thriller genre that is masterly crafted by Vikramaditya Motwane and brilliantly acted by Rajkummar Rao. If you want to get rid from the 'trap' of the routine Bollywood thrills and have the appetite to try something different and new then get 'TRAPPED' at your nearest screens.
That 'Trapped' manages to grippingly hold your attention with such an underwhelming setting is an achievement in itself. That it could invade your senses makes it worth every minute, without any break, in the theatre.
It’s hard to imagine Trapped working so effectively withoutRajkummar Rao. He lives every second of Shourya’s struggle for self-preservation.His journey is so illustrative of a migrant’s metropolitan melancholy as to make any attempt to add signboards to the storytelling is akin to shining torchlight to supplement sunlight.
It is one thing to avoid high-pitched melodrama, but quite another to allow your film to lapse into complete lack of energy. Trapped has a promising premise and is interesting to begin with, but is unable to maintain those interest levels through its 102 minutes and 56 seconds running time.
Trapped is a typical festival film, which has its moments but is tiresome to watch and makes you wonder if it would have been better as a short film.
'Trapped' is like getting strangled in an urban jungle with fine performance and a unique theme catering to good cinema lovers.
Audience Reviews for Trapped
Rajkumar keeps you trapped towards the performance despite bland plot
'Trapped' directed by Vikramaditya Motwane could have worked better than it does had it avoided the other side of its manipulative game. The second your feels especially wobbly. What's further disheartening is that the film comes from a diligent, qualified filmmaker who rarely makes any mistake: not something you do notice, atleast. I remember clapping joyously by the end ans cheering for 'Udaan' and that film's wonderful characters because by the end it had become one of the best films of all time for me- one of my close favourites. And 'Lootera' left me with tears in my eyes, and a broken heart. This too, was one of my favorites.
Unfortunately, that quality is missing in 'Trapped'. And that's also saying that perhaps this home alone genre is too sensitive to be masterfully handled. It needs to be done away. Had it been in the hands of a Sriram Raghavan, it could have well achieved it's potential. But it's still a potently shot and written film. The director doesn't compromise on the film's any technicalities, which makes this film a good watch, even when it plays safe. What further elevates the film's otherwise wafer-thin nature is Rajkumar Rao's deep performance. His performance is disturbing, and layered, which makes it a taut one. Just try to forget that this actor's skills are not stretched towards the entire film, and you'll have a better film in hand. And I had a better experience on that thought.
Trapped With Awe. ♦ Grade B+
If there is one thing that still makes intelligent people go to the movies, it is the little bit of realism that today's independent movies adopt. While Neeraj Ghaywan's Masaan (2015) is one such film that comes to my mind right now, this emotional thriller here is going to be on my mind when I review a next similar-kinda film.
Shaurya (Rajkummar Rao) is a young working-class man who has finally found his purpose through his lady-love Noorie (Geetanjali Thapa), a coworker who is about to get married to someone else. He succeeds in cajoling her to marry and move in with him, but she only has one condition: get an apartment (rented will do) for himself and then they can start complementing each other. Shaurya agrees, pulls up his socks, and gets on with room hunting, only to be the victim of one hasty, badly-made decision.
Starting from the first scene, Rao keeps you hooked with his nuanced performance, as writers Amit Joshi and Hardik Mehta slowly introduce him as this desolate youngster trying to woo one of his coworkers. The tiny amount of playful romance the film uses to kick-start what quickly becomes an ordeal for the relatable protagonist is what essentially works for the film. With shades of subtle humor and realism in every few scenes as the story slowly inches forward, the film tries to address a handful of issues. The primary one being isolation (from the outside life) and its acknowledgment. It is the central theme of the film, which it then goes to explore and come to the point that fear breeds isolation, which can only be overcome by courage.
Other causes it faintly touches are real estate issues, religion, vegetarianism, and self-reliance. While it may be easy to eschew these delicate samples in the film, what you cannot ignore is the sheer simplicity of the plot-line. The film is inherently about Shaurya and his experience as a guy who gets locked up in a flat in a high-rise without food, water, or electricity, which robs him of more than just few days' life. But, what the film tries to say between the lines is something extremely relevant in this time of a connected world where people are moving away from each other.
Motwane's actors are brilliant in their collective act, and are real pleasure to watch. Rao is phenomenal as the taciturn, unlucky guy whereas National Award-winning Thapa mesmerizes me in this short role that she does with finesse and loveliness. Rao has always done roles that demand a great effort, and in here, his efforts have paid off. Of course, many people could have done this, but I cannot think of anyone else who would have done such a great job. The supporting cast are well directed, and support the film in its quest to convey a message or two without inducing ennui. Of course, there are long sequences where the central character just stares into the moonlit sky, but branding them as boring is like disrespecting the art of realistic cinema. Realism, surprisingly, comes with its fair share of bitterness, and Trapped balances it perfectly.
It's an emotional thriller that should be lauded for its experimental nature, minimalistic storytelling, and brilliant overall filmmaking. It wouldn't have been what it is without the arresting music by Alokananda Dasgupta, crisp editing, and fine photography. The sequences and score are going to play with your mood and your emotions as you try to pointlessly help Shaurya get out of the flat. Furthermore, it is obvious that this is a thinking man's film and not a typical Bollywood thriller.
BOTTOM LINE: Vikramditya Motwane's "Trapped" is a brilliant fun-filled thriller made with so much less yet heavy substance that it drives home a point or two and tugs at your heartstrings once or twice all in a 100 minutes. Go watch it at your nearest theater.
Can be watched with a typical Indian family? NO
Trapped - Middle Class India in a High Class City
"While as a thriller, Trapped doesn’t render much interest, the film’s social undertones are what keep it afloat as at least an acknowledgeable piece of filmmaking. The social realities of being ‘trapped’ in India are much easier to construct as plausible than in more developed countries, and Motwane has that to his advantage."
FULL REVIEW: https://extrasensoryfilms.wordpress.com/2017/06/26/trapped-middle-class-india-in-a-high-class-city/