It’ an extraordinary journey of self-discovery, and Rani stays in your heart.
Ultimately, it’s Kangana Ranaut who makes you root for Rani from the word go. The best way to describe her fabulous performance is by confessing that I forgot I was watching Kangana. It’s a raw, nuanced, delicately comical performance, and Bahl rightfully builds his film around his fearless, quirky heroine.

The story, which could easily have slipped into mush, stays free of drippy sentimentality, barring one or two raised-violin scenes. This could have turned into a clichéd international-accented soup, but despite a couple of exaggerated mis-steps, it stays grounded.

Queen is a good entertainer, sure, but, more critically, it is a showcase for an actress poised to reign. This is one of those monumental moments when you feel the movies shift, and nothing remains the same. I’ve seen the future, baby, and it’s Kangana.

If you miss “Queen”, you may never get a chance to know how Rani journeyed into self-actualization. And that would be your loss entirely.

Ultimately Queen is Kangana’s triumph. I left the theater thinking about Rani and how the rest of her life would pan out. It’s not often you do that with a Bollywood character.

Kangana really impresses with her performance. Though Rajkummar does not have much of a screen space, he plays the regressive fiancé perfectly. If there is one reason why you should watch the film, it is Kangana’s acting.

Queen is a well-meaning, well-mannered film that’s funny and packs in small, elevating, but palatable messages. It challenges nothing. It just shows an Indian girl slowly, gently renegotiating life while remaining true to who she is.

Don’t miss Queen for anything. It is a sparkling little gem. Both the actress and the director use that element of gaucherie in the character to great effect, crafting a believable and adorable heroine who evokes both empathy and enchantment.

Kangana Ranaut’s performance is outstanding. Whether she’s crestfallen or ecstatic, selling golgappas or naively buying sex-toys, hiding her infatuation for an Italian restaurateur or showing deep dejection about her wimpy beau Vijya (Rajkummar Rao), she’s a class act.

This is a fun film, and the lead performance makes a difference. After “Dedh Ishqiya”, “Hasee Toh Phasee”, “Highway” and now “Queen”, it seems Bollywood is finally getting rid of the coy, virtuous heroine for good. That might be the best thing that’s happened this year.

Queen is irresistible. Highly recommended. A must-see film. You will leave the theatre with your heart humming happily.

…easily one of the most accomplished films made in a long time. The skillful direction of Vikas and Kangana’s easy virtuoso makes this one an indulgent affair. For the constant smile that it left on my face, the hiccups were all forgettable. I am going with 4/5 and recommend you don’t it for the world. Scores above Bravura!

It’s rare that Bollywood empowers it’s young, lead female protagonist with a role as brilliant and liberating. Queen is one of those few films that you wouldn’t mind watching again. Absolutely recommended!

Queen is a journey of self transformation every woman, dumped at the altar or not, must take.

…reinvents the genre with its non-formulaic screenplay and skilled direction. A charming little film, this one’s made with heart and feeling and it shows. Absolutely recommended!

Vikas Bahl’s Queen is an utterly delightful film that will bring a big smile on your face when you walk out of the auditorium. Smartly written with great attention to detail and extremely well acted, it is the kind of film that reminds you of the reason why you fell in love with movies in the first place. And if Bollywood can make such good films sans all the A list stars, then more power to it.

Vikas Bahl deserves applause for steering clear of melodrama and sparing us long monologues. I guess he was right to be satisfied with this film; there is really no need to change a single frame.

Queen is definitely a step in right direction for Indian cinema. Let’s hope it paves the way for more story-centric films in future. After Vidya and Priyanka, Kangana has staked her claim as the right choice for gutsy roles. And that’s a good thing too.

Mind-blowing. Brilliant. Awesome. Clean entertainer with a ‘state-of-the-art’ message for every woman… and man. Simply superb! This Women’s Day, go out and celebrate with QUEEN. A movie worth going miles to see!

Although, the initial part of the film has got some ‘not so necessary’ sound tracks which perhaps is the only little drawback of the film, the entertaining latter half covers up all other issues and will leave the viewers with only applaud for the director and of course, our bubbly Queen, Kangana Ranaut. So folks…just grab your tickets and be ready to fall in love with the Queen.

Queen gets almost everything right, beginning with its unusual plot. Strangely there is not one but two endings in the film, and the second one seems shoehorned and unnecessary, because the first one does everything and does so perfectly. But all these are just small complaints, not jarring enough to make one dislike the film. So go watch it.

Kangana Ranaut’s performance in Queen overpowers the film itself. The film will, therefore, not be able to realise its full potential. It will do ordinary business because in centres other than the big cities, the audience looks for excitement in drama more than performance of the cast. Business in cities will definitely be good despite very poor opening as the word of mouth for Kangana’s acting will be supremely positive.

… is one of the finest films this year that with all its simplicity strikes a chord with the mass. The movie deserves not one but repeated watch.

The story is etched out well, and it is perfect for the Women`s day theme. Watch the movie to break free from whatever holds you back, and of course Kangana Ranaut.

A masterly tapestry of a woman’s self-discovery!
Queen without doubt belongs to Kangna Ranaut. The character might slightly remind you of Sridevi in English Vinglish, but then, why compare? Rani is a completely fresh character. And we love her! Rajkumar Rao as Vijay may disappoint you a little. But as a complete jerk, Vijay, he did his part pretty well.

It is impossible to not fall in love with Kangana’s performance as this is possibly her best performance till date. You would be glued to your seats till the last credits roll out, which by the way have been done in The Hangover style. You will get to see the parts you missed in the film by means of photographs and video snippets at the very end. In simple terms, Kangana’s acting prowess has proved that she is a ‘Queen forever’!

Queen is an ebullient, enjoyable film, its feminist points squirelled into the film’s margins. It’s the breeziest film you can imagine about a person’s transformation in a short span, and Ranuat is winningly responsible for it.

A true coming-of-age-story…no cop-out. Now that’s a rare Bollywood gem. Do Not Miss!

The brilliance of Queen lies in its subtlety. The film is essentially a feel-good tale about triumphing against the odds, and utilises all possible tropes you’d associate with similar films (English Vinglish, for example), but does so with a slight flourish. The writing is consistently witty. Even in its more indulgent moments, it’s the humour that pulls the film through. Queen is a consistently funny and heart-warming film made of little gems, Kangana Ranaut being the brightest, biggest jewel of the piece. Shine on, you crazy diamond.

Queen almost defies its bloated running time. I say ‘almost’ because one too many moments of enlightenment are piled on towards the end, none of which are surprising. This is instantly forgiven though, as soon as some very innovative end credits begin to roll.